Essay on a non-free topic (SI). Search results for \"the sound of an ax\" Culture of sounding speech: diction textbook

A dream symbol such as an ax may be associated in your mind with the expression: “What is written with a pen cannot be cut out with an axe,” in this case, your subconscious signals to you that you are worried about whether you did the right thing when working with documents, or you regret writing a letter, telegram, note.

An ax can symbolize the cunning and resourcefulness of a person who is capable of making at least something out of nothing, as in the fairy tale about porridge cooked from an ax.

They say: “He floats like an axe,” and if your subconscious associates this image with this particular statement, then this means that you are dissatisfied with the way someone from your environment performs the tasks assigned to him.

Sharpening an ax - in reality, prepare for some risky step related to papers; be careful, it may turn out that your partners will support you only in words, but in reality they will let you down.

If, while you are chopping something, the ax flies off the ax handle, it means that you will experience interference in your work, which will not only ruin your mood, but will also affect your income.

Chopping something with an ax means achieving what you want using cunning and resourcefulness.

If you cut meat or bones with an ax in a dream, this means that by acting directly, without precautions, you will cause heartache to someone around you, so think before you act.

A dream in which someone threatens you with an ax predicts danger from papers, so be careful when signing documents.

Interpretation of dreams from the Ancient Dream Book

Dream Interpretation - Sounds

Hearing the sounds of a human voice in a dream is a sign of gaining hope. If these sounds are loud - in reality, profit awaits you, if they are quiet - your enemies are plotting intrigues for you, the hubbub of the crowd means that in the near future your participation in conversations will mainly come down to listening to other people's opinions.

The sounds of singing signify joy and happy companionship. If these sounds are major, this portends an unusually pleasant set of circumstances, luck in everything, if they are minor, good health and the support of friends.

Pleasant, melodic sounds of music are a harbinger of the blessings of life and wide fame, majestic ones - to long friendship and reliable well-being, bravura - you will be lucky in love. Hearing the sounds of chords in a dream means happy cohabitation. The sounds of the orchestra will make you charming and enchanting.

A dream in which you hear the sounds of an accordion promises you participation in some kind of entertainment and getting rid of sad thoughts about the past. The sound of a harp means that some profitable business will end very disappointingly for you. The sound of a guitar is a favorable sign: you will find yourself in a new interesting society, where you will unexpectedly meet an old acquaintance and your love will flare up with new strength. The sounds of the organ mean that you will face tedious work and, possibly, the loss of friends or position in society. Hearing the sounds of applause in a dream means that you will experience a lot of pleasure or big profits. The sounds of thunder in a dream foreshadow the deterioration of your affairs, countless worries and approaching disaster. Hearing the sounds of firing guns means a possible loss of work or scandalous incidents, the involvement of which will cast a shadow on your reputation. The sounds of working tools - saws, drills, etc. - portend prosperity and well-being.

Hear sounds made in a dream wild animals- means to receive a warning about the danger that threatens you. Heartbreaking sounds, full of dying suffering, foreshadow a serious accident with someone you know and you have great worries.

The sounds that pets you see in a dream make also portend many different troubles. The cries of a donkey coming from afar mean the successful development of your affairs, thanks to which you can get rid of debts and gradually get rich. Hearing a loud cry from a donkey foreshadows a public insult that will be inflicted on you by a person who has no idea what honor and dignity are. This dream may foretell the beginning of some troublesome business.

The cackling of geese in a dream foreshadows misfortune, false rumors and slander. Morning rooster crow - good sign, predicting a successful marriage and prosperity for the young in the home. However, if the rooster crows in the middle of the night or crows in the evening, you will have to shed tears more than once.

Hearing chickens clucking in a dream means that you will be struck by a sudden shock caused by the news of an unexpected serious illness in your environment. Perhaps this disease will cause someone to become poor. The squeals and meows of cats in a dream are a sign that your imaginary friend is doing everything possible to cause you as much harm as possible.

Hearing frogs croaking in a dream means that you will soon go to visit friends, but this trip will not bring you joy. The chirping of a grasshopper means that some business in which you have invested a lot of money will soon bring the expected income.

A dream in which you hear forest sounds, mainly singing, chirping and whistling of birds, foretells you pleasures, benefits and profits. The knock of a woodpecker means tedious conversations about lofty matters. The voice of a cuckoo that you heard in a dream is a sign of bitter experiences that a serious illness of a beloved person will cause. Hearing the sounds of gunfire echoing through the forest in a dream means that the actions you are about to take will not bring you benefit, but harm.

Interpretation of dreams from

A dream symbol such as an ax may be associated in your mind with the expression: “What is written with a pen cannot be cut out with an axe,” in this case, your subconscious signals to you that you are worried about whether you did the right thing when working with documents, or you regret writing a letter, telegram, note.

An ax can symbolize the cunning and resourcefulness of a person who is capable of making at least something out of nothing, as in the fairy tale about porridge cooked from an ax.

They say: “He floats like an axe,” and if your subconscious associates this image with this particular statement, then this means that you are dissatisfied with the way someone from your environment performs the tasks assigned to him.

Sharpening an ax - in reality, prepare for some risky step related to papers; be careful, it may turn out that your partners will support you only in words, but in reality they will let you down.

If, while you are chopping something, the ax flies off the ax handle, it means that you will experience interference in your work, which will not only ruin your mood, but will also affect your income.

Chopping something with an ax means achieving what you want using cunning and resourcefulness.

If you cut meat or bones with an ax in a dream, this means that by acting directly, without precautions, you will cause mental pain to someone around you, so think before you act.

A dream in which someone threatens you with an ax predicts danger from papers, so be careful when signing documents.

Interpretation of dreams from the Ancient Dream Book

Dream Interpretation - Sounds

Hearing the sounds of a human voice in a dream is a sign of gaining hope. If these sounds are loud - in reality, profit awaits you, if they are quiet - your enemies are plotting intrigues for you, the hubbub of the crowd means that in the near future your participation in conversations will mainly come down to listening to other people's opinions.

The sounds of singing signify joy and happy companionship. If these sounds are major, this portends an unusually pleasant set of circumstances, luck in everything, if they are minor, good health and the support of friends.

Pleasant, melodic sounds of music are a harbinger of the blessings of life and wide fame, majestic ones - to long friendship and reliable well-being, bravura - you will be lucky in love. Hearing the sounds of chords in a dream means happy cohabitation. The sounds of the orchestra will make you charming and enchanting.

A dream in which you hear the sounds of an accordion promises you participation in some kind of entertainment and getting rid of sad thoughts about the past. The sound of a harp means that some profitable business will end very disappointingly for you. The sound of a guitar is a favorable sign: you will find yourself in a new interesting society, where you will unexpectedly meet an old acquaintance and your love will flare up with renewed vigor. The sounds of the organ mean that you will face tedious work and, possibly, the loss of friends or position in society. Hearing the sounds of applause in a dream means that you will experience a lot of pleasure or big profits. The sounds of thunder in a dream foreshadow the deterioration of your affairs, countless worries and approaching disaster. Hearing the sounds of firing guns means a possible loss of work or scandalous incidents, the involvement of which will cast a shadow on your reputation. The sounds of working tools - saws, drills, etc. - portend prosperity and well-being.

Hearing sounds made by wild animals in a dream means receiving a warning about the danger that threatens you. Heartbreaking sounds, full of dying suffering, foreshadow a serious accident with someone you know and you have great worries.

The sounds that pets you see in a dream make also portend many different troubles. The cries of a donkey coming from afar mean the successful development of your affairs, thanks to which you can get rid of debts and gradually get rich. Hearing a loud cry from a donkey foreshadows a public insult that will be inflicted on you by a person who has no idea what honor and dignity are. This dream may foretell the beginning of some troublesome business.

The cackling of geese in a dream foreshadows misfortune, false rumors and slander. The crowing of a rooster in the morning is a good sign, predicting a successful marriage and prosperity for the newlyweds in the home. However, if the rooster crows in the middle of the night or crows in the evening, you will have to shed tears more than once.

Hearing chickens clucking in a dream means that you will be struck by a sudden shock caused by the news of an unexpected serious illness in your environment. Perhaps this disease will cause someone to become poor. The squeals and meows of cats in a dream are a sign that your imaginary friend is doing everything possible to cause you as much harm as possible.

Hearing frogs croaking in a dream means that you will soon go to visit friends, but this trip will not bring you joy. The chirping of a grasshopper means that some business in which you have invested a lot of money will soon bring the expected income.

A dream in which you hear forest sounds, mainly singing, chirping and whistling of birds, foretells you pleasures, benefits and profits. The knock of a woodpecker means tedious conversations about lofty matters. The voice of a cuckoo that you heard in a dream is a sign of bitter experiences that a serious illness of a beloved person will cause. Hearing the sounds of gunfire echoing through the forest in a dream means that the actions you are about to take will not bring you benefit, but harm.

Interpretation of dreams from

But the most important sound is at the end of the piece. “A distant sound is heard, as if from the sky, the sound of a broken string, fading, sad. There is silence, and you can only hear how far away in the garden an ax is being knocked on a tree.” The sound of a breaking string is sharp, unpleasant, deadly. The instrument is broken and will no longer sing. The sound of an ax is also an unpleasant sound. They cut down the garden, destroying beauty and memories. But the sound of the ax is active, it brutally cuts the road to a supposedly bright future. The symbols are too obvious. Chekhov is very precise, he is like a director, finishing off the viewer with these sounds. Makes the ending sad and pessimistic.

I also have associations with the sound of a broken string and the sound of an axe. A broken string that could not withstand the tension and rattle of rough fingers is Eve. Even in a wheelchair, she sits in a strange, broken position. Broken tool.

And the sound of an ax... This is the sound of strength and fatal confidence. An ax can only break a violin or guitar, but not create it. The ax is him. He sits Eva in this chair - and this is the pose he gets. He throws her onto the sofa and does not notice the fragile hands that are trying to defend themselves. It’s as if he himself was cut down with an ax and is cutting down everything around him.

When The Cherry Orchard If they cut it down, workers will come to this place. There will be bustle, noise, shouts and obscene jokes of the builders, the roar of construction mechanisms. Behind this noise, no one will hear the rustling of the cherry orchard and the plucking of guitar strings in the style of Benvenuto Terzi, with a timid heartbeat on the downbeat. No one will hear.

I'm afraid that no one will hear Eve either.

I have photographs."

I read this in class. My hands shook again. I silently walked up to the windowsill, took the camera, turned on the viewer and began flipping through the frames.

Window during the day. Almost nothing is visible, a male silhouette in a white shirt, with his back to the lens. Then the footage records each step of the white shirt moving away from the window. The man's back turns white where the sofa is. Something yellow is visible under the white spot, and a thin bare leg is clearly visible, hanging lifelessly. Then again some vague outlines. White and yellow. Too much grain. Can not understand anything. Suddenly the footage becomes clear due to the darkness and electric light on a small stage in the house across the street. Yes, in the evening you can definitely see everything. Empty walls, an old long wardrobe, a girl sitting on the sofa. She is wearing a large man's sweater. She is very pale, the colors on her face are completely invisible. Hair just below the shoulder, straight, blonde. Very sharp cheekbones, thin neck. A girl pets a red dog. Even from afar, her eyes sparkle like glass. Another shot: a man came out from behind the “right wing” of the kitchen. His mouth is open, he is telling her something. Eva doesn't turn to him. She looks at the dog. Next shot: the man is closer, slightly bent over in an aggressive pose. He says something. Eva sat and still sits. Next. The man has a fierce face, he raised his hand in a furious gesture, spreading his fingers. And then... The photo is blurry... Only a smear of a white shirt is visible. He attacked Eve, and the camera could not stop the moment, it went out of focus. The next photo is even more confusing. But it is clearly visible that the red toy fell to the floor. And one more shot: the girl is lying on the sofa, thrown to the opposite side, covering her face with her hands. He hit her! This is definitely! In the next one, a man is on his knees in front of the sofa and reaches out to Eve, to her face. Also, and I see that he manages to tear her hands away from her face, there is a red spot near her nose and lips. Bastard! I looked out the window. There is no movement in the house opposite. And Marek? He wraps another paper dog.

Pictures of “another series” appeared on the viewer. Very dark. Marek filmed how the man took Eva out for a walk. Indeed, her position in the wheelchair was awkward and uncomfortable. The mouth is compressed. Her face glowed with deathly pallor. In these photographs it was also difficult to discern facial features. Still, it’s a bit far, and the glare from the glass blurs the clarity. But for some reason Eva’s face made me grind, like the sound of iron on glass. On the one hand, I wanted to take a closer look at her, to be surprised at her childish expression, but on the other hand, I was scared... What if this face contained a nightmare?

There were also more photographs. But almost all of them are unsuccessful. Mostly a man: he drinks coffee, he leaves the entrance, he yawns, spreading his arms to the side, he sits on the sofa and studies something on his laptop! Still, there is some kind of technology in this house. Eva rarely appeared in the frame. And yet there was a picture of a husband carrying his wife in the morning either to the toilet or to the bath. Everything was as Marek described. Everything, right down to changing the mood of the yellow walls. When the man carried Eva in his arms, I noticed that she did not hold onto him with her hand, did not hug him so naturally by the neck... Yes. Marek is right. Eve hates him. And in all these photographs the poison of some secret dissolved. And it seems that this poison has reached me too. The sound of a broken string. I heard him.

***

Previously, thoughts about Marek and his mania for tracking overcame me only on class days; the rest of the time I was busy fighting with the arrogant “geniuses” from the physics and mathematics class, talking on the phone with my sister and mother, nervous evenings watching movies downloaded from the Internet and traveling to and from work on foot through the dirty streets of the city. And after these photographs, I intercepted anxious thoughts everywhere: both in class, and during tired conversations of colleagues in the teachers’ room, and while wandering around the store, and even went to the cinema... I realized that I was not following the plot, the face of this girl was haunting me. Eve.

Moreover, this dream... Now I was even afraid to fall asleep. I dreamed about dead Reiners. Nastasya Petrovna gave me tea with jam, showed me photographs of Marek and laughed:

- The dog is a toy! Ahaha! With a key! Look! The dog is not real.

But for some reason I was afraid to drink tea, and my eyes kept returning to her neck. There is a terrible crooked seam, intercepted by uneven stitches of dirty, harsh threads. Nastasya Petrovna pulled out a cigarette from somewhere, lit it... And smoke began to seep through this seam! And she kept chatting and chatting about this damn dog with a key.

In short, I woke up at four in the morning in a cold chill and with a nauseating urge of fear, and could no longer fall asleep. And the next day I was afraid of the coming night. I think I'm turning into a real hysteric...

In the next lesson with Marek, without asking, I took the camera like a businessman and began to look at new photos. Again there are many incomprehensible shapes in the glare of the window. Several photos through a window crying from the rain. Mostly male. And suddenly in a bright “evening episode” in a lighted room next to him elderly woman V outerwear. This lady is short, literally lifts her head when talking to a man, and has dark glasses perched crookedly on her nose. On his head is a funny hat, from under which white, white curly hair sticks out. At the same time, she is wearing a bright red sports jacket with silver inserts in the shape of the letter “V”. On her feet are some colorful rubber boots, and a flirtatious white bag hangs over her shoulder. Colorful grandma. In several shots, the man and this “red elderly jacket” were talking. Then the grandmother went to the kitchen and opened the blinds on the window, looking out with curiosity. In the footage, she turns her head, smiles, and energetically proves something to the man. Then the fact of the transfer of money was recorded. A lady in a jacket is counting pieces of paper. The next photo is already Entrance door entrance - the grandmother goes out into the street. The next one is a red jacket at the next entrance. The next one is again the window of the object room: a man stands very close to the glass and watches the recent guest, craning his neck. The face is dissatisfied, gloomy, eyebrows are almost drawn to the bridge of the nose. And one more shot - on the first floor of the neighboring entrance the window lit up, a red jacket was there! The last one - the grandmother grabbed the curtain to hastily close it...

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The fate of Evgeniy Nikolaevich Chirikov (1864-1932) was unfortunate. Due to his emigration, he was literary rehabilitated only during the Thaw. In 1961, his only collection of prose in Soviet times was published, and in post-Soviet times he was simply forgotten. Meanwhile, this is a unique writer, marked by an undoubted creative individuality, whose pre-revolutionary and emigrant heritage includes much that may be of interest to our contemporaries.

THE APPEARANCE OF SOUNDS AS A DISSONANCE WITH THE MELODICITY OF NATURE MUSIC a clapper on a cast iron board.<...>"The sound of metal", "own echo".<...>the nightingale's song did not cease, and the spring night continued to speak in its poetic language of light, shadows and sounds<...>There was a gas chamber boat, poles, twine with a hook, a hook, an ax, a gun, everything for free fishing.


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Hermeneutics of dramaturgy A.P. Chekhov monograph

M.: FLINTA

Book by Doctor of Philology, Professor I.V. Dmitrevskaya is devoted to a practically unexplored problem, the hermeneutical analysis of the dramaturgy of A.P. Chekhov. Believing the situation of misunderstanding to be the main internal cause of the existential content of Chekhov's plays, the author, using the method of systemic hermeneutics, reveals the sequence of meanings hidden inside Chekhov's texts and aimed at resolving existential situations or identifying the conditions under which they remain insoluble. Thus, the internal logic of the plot is revealed, the movement psychological world heroes from misunderstanding to understanding. The book also reveals other aspects of A.P.’s dramaturgy. Chekhov - phenomenological, existential, symbolic, social, etc.

Russia - the garden is going under the ax, what will happen new Russia? <...>With the dying garden, perishing under the ax, only the dying Firs remains in the boarded up house (again the sound<...>ax!).<...>ax<...>The garden is perceived as a living being: it is beautiful, noble, life-giving, the “sound of an ax” is painful

Preview: Hermeneutics of Drama by A.P. Chekhov (1).pdf (0.7 Mb)

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Dyatlov Viktor Innokentievich - Doctor of Historical Sciences, Professor of the Department of World History and international relations Irkutsk state university. Latest publications in “Friendship of Peoples”: ““Citizens of the near abroad” and others... Dynamics of the formation of stereotypes” (No. 4, 2011); "The Great Xenophobias" Mutual influence and interaction on the experience of Russia” (No. 7, 2011); “Russia in anticipation of Chinatowns” (No. 3, 2012).

thousand people (there are estimates of 5–6 thousand) under escort of 80 recruits, armed with axes for lack of guns<...> <...>The Cossacks chopped with sabers, the recruits with axes.<...>Several recruits who lacked the resolve to chop people with axes were threatened by the Cossacks to “demolish<...>I can’t even imagine what kind of monster you have to be to just chop off an old man’s head with an ax,

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A story about a mathematics teacher Dmitry Nikolaevich and a twenty-year-old mechanic Lenka from Kharkov, who met and became friends during the war. After their platoon was defeated, they went east to "theirs", but a meeting with German tank ruined their plans.

“The sound seemed to come from the ground.<...>The sound grew, and it was already possible to hear something like a cautious, clinking, skinny, iron rumble.<...>From his twisted lips came abrupt sounds: “A-va-a-a...” Lenka half muttered or half-howled.

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Linguistic means of organizing the sound world in O. Mandelstam’s poetic texts abstract of the dissertation

The dissertation is devoted to the study in the poetic texts of O. Mandelstam of the linguistic means of organizing the sound world, which is formed on the basis of the entire linguistic means, aimed at activating the mode of hearing, and the intentional structures represented by these means, associated with the idea of ​​sound.

Somova; the principles of organization of the semantic field of sound were determined by N.E. Sulimenko, I.<...>Some aspects of the problem of the relationship between sound and words, music and words in poetic texts are also considered.<...>Mandelstam is formed by the entire set of linguistic and non-linguistic means that realize the idea of ​​sound, and<...>If sound, syllable and complex sound complexes are the nuclear structures of the phonetic layer, then morphemes<...>(Perhaps a whisper has already been born before the lips; the sound still rings, although the cause of the sound has disappeared, etc.).

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The article is devoted to literary criticism of the poetry of Georgy Adamovich. “I know the value of my poems.”

poems, if we define them through metaphor, are like knots of the same thread, like separate sounds<...>She lost sounds and colors, lost detail, sacrificed a sense of the integrity of the world with diversity<...>Let's think about this: the sound of a rattling string is evidence of some kind of violation, something wrong.<...>Adamovich about the nondescript, devoid of color and sound, boring headman About uselessness. not about 18-1027 13?<...>Also for the angel... and those other sounds... Flew at midnight... for the sky in general!

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The article is devoted to Russian writers abroad of the 1940-1960s, their biographies, communication and creativity.

“Under the star of the ax” and “In the hall of the universe” contain a number of variations on this existential theme about the place of the poet

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“Modern Drama”: plays and years Complete list of plays published in the magazine “Modern Drama” for the period from 1982 to 2019

M.: Editorial board of the magazine "Modern Drama"

Here is a “creative report” of our magazine throughout its history, starting in 1982. Here you will find the titles of each of the plays printed on the pages of the publication, indicating the time of publication, including the current issue. They are collected in five sections, mainly reflecting the structure of the journal; playwrights are united by language; surnames are given in alphabetical order. The list of plays is regularly replenished and updated.

<...>Total - 6 "Young People" - No. 1, 1998 "Roman's Novel" - No. 1, 2000 "Sound Behind the Plane" - No. 4, 2002<...>Total - 7 “Young People” - No. 1, 1998 “Roman’s Novel” - No. 1, 2000 “Sound Behind the Plane” - No. 4, 2002

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M.: FLINTA

<...>Sound is transitory, letter is eternal.<...> <...> <...>

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The phenomenon of language in philosophy and linguistics. allowance

M.: FLINTA

The book presents materials from lectures and seminars on philosophical problems in linguistics and general linguistics. In educational texts, the most significant linguo-philosophical and philosophical-linguistic views on language are interpreted in historical sequence. Polygrams of the problems discussed are attached to the training texts.

A sound, also insignificant, which creates one significant sound from several significant sounds.<...>Sound is transitory, letter is eternal.<...>Thus, D. Locke notes that among many peoples “murder with a sword and murder with an ax are not considered as<...>In languages, these actions (actional relations) receive autonomous names, cf. rus. hack to death (“kill with an ax”<...>Thus, the following groups of words show what heterogeneous meanings coexist in their forms, cf.: 1) chopped with an ax


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The phenomenon of language in philosophy and linguistics. allowance

M.: FLINTA

The book presents materials from lectures and seminars on philosophical problems in linguistics and general linguistics. In educational texts, the most significant linguo-philosophical and philosophical-linguistic views on language are interpreted in historical sequence. Polygrams of the problems discussed are attached to the training texts.

A sound, also insignificant, which creates one significant sound from several significant sounds.<...>Sound is transitory, letter is eternal.<...>Thus, D. Locke notes that among many peoples “murder with a sword and murder with an ax are not considered as<...>In languages, these actions (actional relations) receive autonomous names, cf. rus. hack to death (“kill with an ax”<...>Thus, the following groups of words show what heterogeneous meanings coexist in their forms, cf.: 1) chopped with an ax

Preview: The phenomenon of language in philosophy and linguistics (1).pdf (0.2 Mb)

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Logging

Selkolkhozgiz

The book discusses the following topics: the concept of plantings, methods of logging in plantations, calculation of the yield of timber from plantations allocated for felling, the concept of forest taxes, felling and logging, removal of harvested timber, organization work force at logging sites, organization of supply to logging sites, living conditions at logging sites, rough plan organization of logging, legislative acts on logging.

In practice, the depth of spread of rot is determined by experts by the sound of visually tapping the butt of an ax<...>Harvesting is done with an ax and saw.<...>Axes with a smaller sharpening angle are used for chopping, and axes with a larger sharpening angle<...>The weight of American axes is heavier (2-2.5 kg) than the weight of caustic axes (1.25-2 kg).<...>ax Bilone Brook.

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No. 16-18 [Orthodox community, 1993]

The magazine “Orthodox Community” was published from 1990 to 2000 by the publishing house of the Moscow Higher Orthodox Christian School ( modern name: St. Philaret Orthodox Christian Institute). The editor-in-chief of the magazine is priest Georgy Kochetkov.

You, like an angel, sang praises to God in front of young listeners, and “the sound of this song in the young soul remained without<...>Orthodox community He walked through a space devoid of firmament, he heard that time had lost its sound.

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Technology of bibliographic collapsing of literary information [monograph]

Publishing house SSAU

Technology of bibliographic collapsing of artistic information. Programs used: Adobe Acrobat. Works of SSAU employees (electronic version)

Thus, in the annotation to V. Rybakov’s novel “Shadow of the Ax” the following information about the author is given: “Writer Vladimir

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Linguocogitology monograph

M.: FLINTA

The monograph examines the methodological prerequisites and theoretical sources of linguo-cogitology as the main direction of research in line with cogitology (the science of linguistic consciousness and speech thinking). Linguistics studies the interaction of the categories of language, consciousness, communication and pragmatics. It uses a metalanguage of verbal-conceptual modeling - morphotheme, and relies on a universal explicative metalanguage - cogitologos, with the help of which the vectors of embodiment and development of thought in natural language are determined and the nature of thought activity and thought generation in speech communication is clarified.

and on the organs that produce this sound.<...>A word is a two-sided unit consisting of sound and concept. [At V.<...>We study books instead of human thought, monuments instead of language, letters instead of sounds, letters and sounds<...>instead of representations corresponding to letters and sounds.”<...>The mysticism of sound. Collection. M.: Sfera, 2004. 352 p. 104. Chafe W.

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M.: PROMEDIA

The article discusses the hermeneutical aspects of translating color terms in Emily Dickinson's landscape poetry.

<...> <...> <...> <...>

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This article discusses the hermeneutical aspects of translating color terms in Emily Dickinson's landscape poetry. As a result of the analysis of the source text, factors of spatial localization are identified that influence the use and translation of color terms as a means of describing the linear perspective of a landscape

An ax shrill singing in the woods - And the singing of an ax in the distance - 12.<...>A furtive look you know as well - Both this sound and this color - 15.<...>Lines 11, 12 describe everything invisible to the eye, but accessible to hearing and smell: the sound of an ax in the forests, the smell<...>Central Design Bureau "BIBKOM" & LLC "Agency Kniga-Service" 90 translation objects of auditory perception expanded: in addition to sound<...>the ax is heard and the “new voice of the rooster”.

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No. 134 [Grani, 1984]

JOURNAL OF LITERATURE, ARTS, SCIENCE AND SOCIAL THOUGHT. Among the authors of "Fringes" in different years there were such writers and poets as A. Akhmatova, L. Borodin, I. Bunin, Z. Gippius, Yu. Dombrovsky, B. Zaitsev, N. Lossky, A. Kuprin, V. Soloukhin, M. Tsvetaeva, O. P. Ilyinsky.

The ears, unaccustomed during the night, did not yet catch faint sounds, there was no body, there were no thoughts, there were no more lived ones.<...>It grew, expanded, became discernible - the piercing sounds of a trumpet, the iron rhythm of moving columns<...>then he caught huge wet pieces, choked, chomped, and Eva shuddered with disgust, listening to these sounds<...>In "Theatrical Novel" the scene of the suicide of the writer Maksudov is accompanied by the sounds of opera coming from<...>(1948), “Night Glows” (1963), “Slanting Years” (1967), “Dragon on the Roof” (1973), “Under the Constellation of the Ax

Preview: Facets No. 134 1984.pdf (0.1 Mb)

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Dostoevsky and Chekhov: non-obvious semantic structures

The book is devoted to the analysis of non-obvious semantic structures present in many of Dostoevsky's novels and Chekhov's plays. Non-obvious semantic structures are identified using certain procedures against the background of emphasized attention to the exact form in which the actions and statements of the characters are presented and to the environment in which they are performed. The author's personal ontology and mythology are the main subject of research.

The old woman was killed with an ax, and the merchant with an ax.<...>Same with sounds: short descriptions and long, from one sound to several.<...>Another thing is sounds.<...>In the finale of “The Cherry Orchard” - “A distant sound is heard, as if from the sky, the sound of a broken string, dying<...>The sounds of chopping are not heard, but the ax will be remembered again...

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Cognitive syntax of the Russian language textbook. allowance

M.: FLINTA

The cognitive direction is one of the most popular in modern linguistics. It studies language as a means of understanding the world; its tools are mental categories, concepts, metaphors. The book is an attempt to show in an accessible form the participation of syntactic phenomena - such as sentence patterns, verb control, coordinating connections and others - in the formation of a linguistic picture of the world. Texts of Russian fiction and literature are used as a source of material. Speaking. For comparison, facts from other Slavic languages ​​(Belarusian, Polish, Bulgarian, etc.) are used.

This refers to sound, i.e. knock, ax." Ah, that's it!<...>So, the above phrase means: “The sound of a woodcutter’s ax was heard in the forest.”<...>And the word ax, it turns out, can take on the meaning ‘sound of an axe’ in the text.<...>An ax is a tool, they work with it, and a by-product of this work is sound.<...>This is the semantic chain that explains the appearance of the word ax with the meaning ‘the sound of an axe’.

Preview: Cognitive syntax of the Russian language (1).pdf (0.1 Mb)

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The world as the realization of beauty. Fundamentals of Aesthetics

M.: Progress-Tradition

The work of the outstanding Russian philosopher N.O. Lossky, created by him in last years life, completes the system of personalistic ideal-realism. For a number of reasons, this work remained unpublished and until the time of this publication lay in the archives of the Institute of Slavic Studies in Paris. BUT. Lossky conceived it as a textbook that was to be included in the program of Orthodox education.

Let's start by looking at sounds.<...>The sounds made by animals also have a similar spiritual basis.<...>A word without meaning is not a word, but a sound, and I have no intention of arguing with this.<...>Also, all sounds are expressions of psychoid or mental processes. <...>Thus, Bach's fugues are not only intertwining sounds.

Preview: The world as the realization of beauty. Fundamentals of Aesthetics.pdf (0.8 Mb)

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Language, or Why people speak: experience in the functional definition of natural language. allowance

The book is devoted to the functional definition of natural language. The main idea of ​​the author's concept is that the function of reality determines its substance: language is an instrument of influence that has a sign (semiotic) nature.

Let us show a substantial description of reality using the example of an ordinary weapon - an ax. What is an ax?<...> <...>its (axe) absolute substantial non-identity not with the “axe as such”, but with the ax of our<...>ax 4.<...>In this series, sounds, signs of sounds and sound zero are combined as realizers.

Preview: Language, or why people speak (1).pdf (0.1 Mb)

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No. 10 [Friendship of Peoples, 2012]

The only literary, artistic and socio-political monthly magazine in Russia, covering and supporting a single cultural space created over many decades by the efforts of artists and cultural figures from all countries that were part of the former Soviet Union. The magazine publishes: new works of writers and poets from Russia, near and far abroad countries; topical essays that analyze the most pressing problems of our time - national, social, religious, cultural and moral; literature reviews and critical articles.

Like one against another, like the ax and the block again... How the cheerful Stenka the thief dances on the tine.<...>Not only the fishy smell spreads throughout the area, but also the sound of sizzling oil.<...>Slava turns on the TV for now, immediately turning off the sound completely.<...>The bailiff commanding the operation gave the order to “cut down the axe” to all those who were left behind.<...>The Cossacks chopped with sabers, the recruits with axes.

Preview: Friendship of Peoples No. 10 2012.pdf (0.1 Mb)

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GORMAN KILLED, I AM A HUMANIST...

Almost dropping the ax, I made an awkward movement, the stairs tilted, but there was concrete below.<...>Water, sound, a flash of light, the squeak of a mosquito, the muteness of a fish... Are you surprised?<...>I no longer listened to his explanations, but his Scanlock not only restored the sound - it restored the image too!<...>Let's turn up the sound.<...>But he has nothing to do with it, I just stole this ax of his.

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a story about the life of Soviet people

The ringing and not the ringing, but the solemn and lyrical hymn in the sound of the bells remains with you all day.<...>Either the incisors, the front teeth, were rare, that a sound was blown through them, similar to that when blowing through<...>I clang the tip against the castle so that the sound of the ax can be heard by the thief. We are many and we are armed!<...>I took an ax and went to chop.<...>We often heard the dull sounds of gunfire.

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Man in the space of culture materials Second All-Russian. scientific conf., dedicated founder of the university P. G. Demidov

Materials of the Second All-Russian scientific conference dedicated to the founder of Yaroslavl State University, Pavel Grigorievich Demidov. Published in the author's edition.

It is known that in ancient China believed: “a carefree sound... means that the people are happy, and a viscous one indicates<...>Bekhterev scientifically proved the vital necessity of early introduction of a child to the art of musical sound<...>Various subthreshold audio and video signals, the 25th Fisher frame effect, sound mixing - all this<...>a monk named Grishka Otrepiev... And the conspirators... soon put an end to him, shooting at him and chopping him with sabers and axes

Preview: Man in the space of culture, materials from Vseros. scientific conf., dedicated to the founder of the university P. G. Demidov.pdf (1.3 Mb)

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M.: PROMEDIA

An analysis of A. Bely's poem "Glossolalia" is proposed from the point of view of phonosemantic correspondences that underlie the poem's scales. The compositional specificity of their construction is revealed, which is closely related to the author’s orientation towards the mythological complexity of meaning. It is shown that in the quasi-language of Andrei Bely, the paradigmatic dimension associated with the semantic factor dominates over the syntagmatic ones, which determines the remaining characteristics of this language.

“Symbolization” of sound helps to understand the mechanism of creating meaningful units in Bely’s “language”: sounds are combined<...>These pa6 See about this: [Elizarenkova, Toporov, 1984: 14-47], [Toporov, 1988: 10]. 7 Notable<...>Elizarenkova T.Ya., Toporov V.N.<...>From sound to text. M., 2000. Svasyan K. Afterword // Bely A. Glossolalia. Poem about sound.<...>Toporov V.N. About the ritual.

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No. 10 [Young technician, 2016]

Published since September 1956. During the Soviet era, periodicals were published in large circulations and had a fairly broad focus, based on the age and interests of teenagers. One of the popular magazines for young men was the Young Technician magazine, consisting of popular science articles, reviews of the latest innovations related to physics, mechanics, chemistry and other practical inventions. Our team has preserved this wonderful legacy and provides you with the opportunity to get acquainted with this magazine again. The main objective of the magazine was the desire to tell and teach young people how to use Everyday life laws of physics and mechanics, gain skills for independent creativity using various tools and materials. Today in the century high technology, surrounding gadgets and the significant development of robotics, in order to create something with your own hands or invent something new, you first need to learn to distinguish a transistor from a diode, read electrical diagrams, understand drawings, solder, plan and tighten bolts and nuts. The magazine “Young Technician” became famous for its applications “For Skillful Hands” and “Lefty”. If the magazine itself was popular among teenagers, then the supplements were also appreciated by adults who paid tribute practical advice and recommendations.

However, you should not think that representatives of the flora are not able to respond to sound.<...>However, recently there seems to be evidence that some sounds can affect plants<...>In 2014, the results of a study were published, according to which the sounds produced by chewing<...>AXE PEDIGREE Copyright JSC Central Design Bureau BIBKOM & LLC Book-Service Agency 59 hunting ax ax<...>under the ax

Preview: Young technician No. 10 2016.pdf (0.1 Mb)

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Analysis of a literary text: features of the “estate” time in the poetry of the 19th - early 20th centuries. educational method. allowance

Proposed teaching aid includes theoretical material devoted to the analysis of “estate” images in the poetry of the 19th – early 20th centuries, questions and assignments for practical classes on the literature of this period, and an anthology of literary texts distributed among the sections of the manual.

I've gotten out of the habit of them... and again I'm sadly glad to eavesdrop on the unclear sound of legend! (N.P. Ogarev.<...>I touched them - and sadly in the silence there was a sound.<...>It’s long overdue for me to retire... Fields, forests - everything is dying without care... I’m waiting for the cheerful sounds of the ax, I’m waiting<...>Toporov, V.N. Petersburg text of Russian literature: Selected works / V.N. Toporov.<...>Toporov, V.N. Space and text//Text: semantics and structure / V.N. Toporov. M., 1983.

Preview: Analysis of literary text, features of the “estate” time in poetry of the 19th - early 20th centuries.pdf (0.4 Mb)

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The culture of spoken speech: diction textbook

Chelyabinsk

"The textbook reflects the theoretical and practical aspects of one of the sections of the culture of sounding speech - diction, associated with the sound norms of linguistic units in terms of the accuracy of articulation of sounds, their intelligibility and expressiveness. The Appendix widely presents lexical material for practicing clarity, purity of sound as individual sounds, as well as sound combinations, words, sentences - tongue twisters, tongue twister texts. The application materials can be used by students in independent work and scientific research."

The forest was cut down with an axe, the forest was turned into firewood.<...>The woodcutters cut down the forest with an ax and an ax. The forest was turned into firewood with an axe, an axe.<...>Axes are sharp for the time being, axes are sharp for the time being, for the time being.<...>To interpret clearly, but to no avail to reinterpret: after all, axes are sharp for the time being; axes are sharp for the time being; for the time being<...>Axes are sharp for the time being. It’s time to cut down the forest with axes, turn the forest into firewood.

Preview: Culture of sounding speech diction.pdf (0.7 Mb)

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History of philology studies. allowance

M.: FLINTA

The textbook was prepared in accordance with the requirements of the State educational standard in the direction of “Philology”. It examines key problems in the history of philology. For students and undergraduates of philological faculties of higher education educational institutions, graduate and doctoral students, a wide range of Slavists, historians, cultural experts and philological teachers, researchers, teachers of specialized classes in the humanities, as well as for readers interested in studying the foundations of philological education at the present stage.

Bakhtin - D.S. Likhachev - S.S. Averintsev - V.N. axes<...>Bakhtin, D.S. Likhachev, S.S. Averintsev and V.N. axes<...>The luxury of sounds and the poverty of thought on the one hand, the poverty of sounds and the majestic flight of thought on the other - this is<...>Toporov.<...>V.n. axes and Vyach.Vs.

Preview: History of Philology (1).pdf (0.4 Mb)

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Goal: to introduce the child to the piano instrument and its sounds.

Piano sounds Progress of the lesson I. Organizational moment.<...>You can hear the ax knocking... The ax fell silent, They started the firewood in the stove and had a quiet conversation.<...>To these sounds, voices Younger brother I'm used to it.<...>What sounds do you hear? Audio recordings with sounds of nature are played one by one, and the child guesses them.<...>Then the teacher, together with the child, summarizes all the sounds heard - like the sounds of nature.

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Innokenty Annensky and his reflections: Materials. Articles

M.: Languages ​​of Slavic culture

The book brings together the author's main literary works, published mainly in the second half of the 80s - early 90s. last century and concerning the contribution made to Russian culture by the outstanding poet of the late 19th - early 20th centuries, teacher, educator and philologist Innokenty Fedorovich Annensky. The refraction in Annensky’s work of some of the historical and cultural layers he covered (ancient drama, Russian and French poetry, etc.), parallels between his different texts (lyrics, drama, critical prose, translations, letters), as well as their reminiscences in Anna are considered Akhmatova and other poets.

The identification of sounds and tears, which is not uncommon in poetry, is found in Shevchenko’s “Trizna”: And tears into sounds<...>Ivanov “Tantalus” [Toporov 1986; Toporov 1989].<...>Toporov V.N.<...>Toporov V.N.<...>Toporov V.N.

Preview: Innokenty Annensky and his reflections Materials. Articles.pdf (0.6 MB)

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Naiser, “sound informs us about current events.<...>Toporov notes that for visual-color signs the spatial dimension is more important (in many classifications<...>blue – air, red – fire), and the time dimension is especially important for signs of the auditory type [Toporov<...>Toporov, V. N. Studies on etymology and semantics. T. 1.<...>Toporov. – M.: Languages ​​of Slavic Culture, 2004. – 816 p. 33. Tulupov, V.V.

Preview: Correlation of advertising and artistic methods of exploring the world.pdf (0.3 Mb)

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Platon Besedin was born in Sevastopol in 1985. In 2012, his debut novel “The Book of Sin” was published. Published in prose collections “Ray Station”, “New Writers”, etc. Published in the publications “Khreshchatyk”, “Belskie Prostori”, “Rainbow”, “Day and Night”, etc. The stories have been translated into German, Italian and English languages. He also acts as a publicist and literary critic. Lives in Kyiv. It is published in “DN” for the first time.

I try to speak confidently, but the sounds are weak, hissing and whistling. - W-w-why did you destroy my temple?<...>There is Gray with an ax, and he is very close. Lunge, strike.<...>I press his hand with the ax to the ground with my foot.<...>Suddenly a strange sound. Cotton. It was as if a huge insect had rushed past. Scream.<...>Suddenly strange sounds. I roll onto my stomach and look for Slava with my eyes. Is he really alive?

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Alexander Sergeevich Rybin was born in 1983 in the city of Kimry, Kalinin region. Graduated from the Faculty of Philology Tver University. Works as a freelance journalist. The first publication was in the magazine “Day and Night” in 2008. Long-easter of the Neformat Prize, the Bunin Prize and the V. P. Astafiev Prize (2008). In 2012, he was longlisted for the Debut Prize with the story “Modern Nomad.”

Sat with eyes closed and listened to the sounds.<...>The sounds of ricochets, fountains of dust, chips flying off the box.<...>Anton and “Axe” immediately ducked down and rolled over the hill+ rock.<...>The roar of shots, the breaking sounds of hits.<...>The rustling sounds of the night and darkness returned. A motionless scattering of stars in the sky.

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Eurasian space: sound, word, image [collection]

M.: Languages ​​of Slavic culture

This collection, diverse in material and composition of participants, is dedicated to the study wide range humanitarian problems united by the idea of ​​space and its image in culture. The main place is occupied by the theme of the Eurasian space, which goes back to the philosophical ideas of N.S. Trubetskoy and his like-minded people - ideas that found their experimental embodiment in the musical and poetic culture of the Russian avant-garde. The authors of the collection, in turn, stage a kind of scientific experiment, bringing the analysis of the problem to the intersection of the natural and human sciences - from acoustics to semiotics, considering the relationship of sound and space as a fragment of the noosphere organized in a special way and “place-bound.”

TOPOROV 1983 - Toporov V.N.<...>TOPOROV 1990/1991 - Toporov V. N.<...> <...>TOPOROV 2000 - Toporov V.N.<...>TOPOROV 1992 - Toporov V. N.

Preview: Eurasian space sound, word, image.pdf (1.2 Mb)

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In 1926, Lyubov Yulievna Zubova-Moor became a member of the Moscow Union of Poets. In 1930, she went to the capital to show her poems, came under a raid and found herself in prison for the first time. In the Butyrka prison, in a common cell with criminals, they slept in “spoons”, as 40 women lay on one large, bare board bed. On the night of April 13-14, Lyubov Yulievna composed a poem: “In the Cell”, a little later - “Conversation in Prison”

The plots are full of sounds and singing. Hey, be careful that you don't get hit! A tree falls - cut the branches.<...>And the ax in the hand is sharpened, There are no complaints. Always ready!<...>She chopped, and the chips flew... The power of the ax is crushing!<...>Concert in the club Caressed by a wave of gentle sounds, I dreamed both sadly and brightly: I remembered the hours<...>The pianist, with the immortality of Chopin, leads the way to immortality and glory... And sounds fall from the keys of white foam, Andsounds of axes

The relevance of this publication is determined by the need to strengthen the humanitarian component in the education of technical specialists. Its goal is to emotionally prepare students for the perception of lecture material. Before lectures on a particular topic, students should familiarize themselves with the relevant text.

The fight begins30<...>A new sound is heard in the jungles of Nunukan * today, December 1934.<...>This is the sound of an axe. The sound of an ax biting into a trunk giant tree. <...>Again the ax cuts through the wood. There’s another crack – and this is no longer a false alarm.<...>And again the sound of an ax is heard in the jungle.<...>The monkeys either hid or left; apparently, they now understood what this sound meant.The last sounds were heard already in the yard. .

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To begin with, a quote. From the fiction writer of the century before last Boborykin. But not from his prose, which was once read to the gills, but from his memories. “Not as an excuse, but as a factual reference, I will cite the fact that of the people of the 40s, 50s and 60s who made a name for themselves in the liberal and even radical revolutionary world, Ogarev alone freed his serfs back in Nicholas’s time to freedom, although not entirely for nothing. Neither the Slavophiles, who then crucified for the people at that time (neither the Samarin, nor the Aksakovs, nor the Kireevskys, nor the Koshelevs), nor I.S. did this. Turgenev, nor M.E. Saltykov, a cruel exposer of the then order, not even K.D. Kavelin, who advocated so much for the community and the upliftment of the peasant people in every sense. Leo Tolstoy did not do this either.”

If we compare... There, along the way, the ax is rationalized into a guillotine, and here it is handed over to our hands...<...>Rodion Raskolnikov, imagining himself as Napoleon, goes with an ax to the old pawnbroker<...>Instead of an axe, the Russian man is offered a broom. What to do with it?<...>Well said, Derzhavin formulated almost the same way in his last poem: “Through the sounds of the lyre or trumpet<...>And all this - through the sounds of the lyre.

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The problems of digitizing folklore works, which are the heritage of the oral creativity of the Kalmyk ethnos, are considered. The problems described are universal, i.e. characteristic of the creation of this kind of corps of any nation. Translating precedent texts into electronic form will allow them to be studied more systematically. Based on marked-up folklore material, it will be easier for both linguists and folklorists to analyze texts from various angles. Conclusion: folklore works of the Kalmyk ethnic group, along with the folklore of other peoples, should be digitized and available to all researchers.

nimmt der mann seine mütze ab, steckt die axt hinein und bringt sie zu seiner frau So the old man brought an ax<...>‟ Then the old woman says: “Don’t you put an ax in your belt?”<...>The tale consists of 790 sounds, 131 words, 16 sentences.<...>(median is 5 sounds).<...>Dispersion of 4.03 sounds per word.

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Crimean Gothic language

The monograph presents a comprehensive analysis of the existence, written recording and structural levels of one of the Germanic relict languages ​​- Crimean-Gothic. This language has made a unique historical journey - from the penetration of the Germans into the Northern Black Sea region at the end of the 3rd century. until written recording through the efforts of O. G. de Busbeck in the second half of the 16th century. The stay of the Goths in Crimea is a vast problem that has not yet received proper interdisciplinary coverage. This study summarizes both historical, archaeological and linguistic aspects of the Crimean-Gothic problem, and also addresses issues related to history, linguistics and local history. The book is intended for historians, philologists and anyone interested in the history of the ancient Germans and Crimea.

Omsk State University

A system of exercises is proposed to develop and improve reading skills. For teachers primary classes

At this moment he remembers which sound corresponds to the letter.<...>The ability to correctly name sounds will help the child merge sounds into syllables, and then into words.<...>do not pause between two sounds.<...>The child can poorly distinguish sounds that are similar in sound.<...>At the end, you can ask again: “Why is “Porridge from an Ax” a fairy tale?”

Preview: Work on developing reading skills in a modern primary school Methodological recommendations for primary school teachers..pdf (0.1 Mb)

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Domestic linguists of the 20th century [reference book]

The directory presents analytical and informational articles about the scientific heritage of outstanding Russian linguists who have made a huge contribution to the historiography of linguistics, the development of problems of the structural organization of language, its historical development and functioning. Various paradigms of linguistics are presented, from the positions and within the framework of which leading experts in the field of various special philologies conducted their research on the most important problems of linguistic science. This publication is dedicated to the memory of the researcher of the Russian linguistic school, the permanent head of the “Linguistics” sector of the INION RAS for many years, professor, doctor of philological sciences Fyodor Mikhailovich Berezin.

P. 327-328/ Toporov 1981 - Toporov V.N.<...>Toporov 1992 - Toporov V. N.<...>Toporov 1998c - Toporov V.N.<...>Toporov 1998 - Toporov V.N.<...>Toporov 2001 - Toporov V. N.

Preview: Domestic linguists of the 20th century.pdf (0.8 Mb)


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