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/V.G. Belinsky about Gogol/

The scene of Khlestakov's appearance in the mayor's house, accompanied by a retinue from the city officials and Skvoznik-Dmukhanovsky himself; introduction of Anna Andreevna and Marya Antonovna; courtesy and lies of Khlestakov; - every word, every feature in all this, the generality and character of all this - the triumph of art, a wonderful picture painted by a great master, an image that was never expected, unsuspected by anyone, known to everyone and, despite the fact, surprised everyone and amazed everyone with its news and unprecedentedness! .. Here the character of Khlestakov - this second face of comedy - unfolds completely, reveals itself to the last semblance of its microscopic pettiness and gigantic vulgarity.<...>

To many, Khlestakov's character seems harsh, exaggerated, so to speak, his chatter, reminiscent of - don't like it, don't listen - don't bother lying - exquisitely implausible. But this is because everyone wants to see and, consequently, sees in Khlestakov his own concept of him, and not that which is essentially contained in him. Khlestakov comes to the mayor’s house after a sudden change in his fate: do not forget that he was preparing to go to prison, but meanwhile he found money, honor, treats, that after an involuntary and painful hunger he ate his fill, which is why even without wine you can come to what - a half-drunk relaxation, and he also drank. How and why this sudden change in his position took place, why everyone is standing at attention before him - he does not care about this; to understand this, one must think, but he does not know how to think, he is drawn to where and how circumstances push him.

In his half-drunk head, with a burdened stomach, everything shifted, everything was mixed up - and Smirdin with Brambeus, and the "Library" with "Sumbeka", and Mavrushka with the messengers. Words fly out of him with inspiration; ending the last word phrase, he does not remember her first word. When he spoke about his significance, about his connections with the envoys, he did not know that he was lying, and did not at all think of deceiving: having said the first phrase, he continued, as if against his will, like a stone pushed from a mountain, rolls no longer by force , but by its own gravity. "They even wanted to make me Vice-Chancellor (yawns at the top of his lungs). What, I mean, was I talking about?" If he had been told that he was talking about how his father flogged him with rods, he probably would have clung to this thought and would have started not to speak, but as if to continue, that it was very painful, that he always shouted, but what " With today's education, you won't get anything from it."

Many revere Khlestakov as the hero of a comedy, its main face. It's not fair. Khlestakov appears in the comedy not by himself, but quite by accident, in passing, and, moreover, not by himself, but by the auditor. But who made him an auditor? fear of the mayor, therefore, it is the creation of the frightened imagination of the mayor, a ghost, a shadow of his conscience. Therefore, he appears in the second act and disappears in the fourth - and no one needs to know where he went and what became of him: the viewer's interest is concentrated on those whom fear has created this phantom, and the comedy would not be over if it ended in the fourth act. The hero of the comedy is a mayor, as a representative of this world of ghosts.

<...>Let us dwell only on the stupor of the mayor, as if someone had hit him on the head with a butt: “So completely stunned! important person never seen (thinks); he plays with the ministers and goes to the palace ... so, really, the more you think ... the devil knows, you don’t know what is going on in your head, as if you are standing on some bell tower or they want to hang you ... " This is the voice of a district official, a serviceman who began his service in the old way, which was called "pulling the strap"; and here is the voice of an official of the new time, who is always more educated than her husband: "But I didn’t feel any timidity at all, I just saw in him an educated, secular , the highest tone of a person, but I don’t even need about his ranks. ”This trick of the philosophizing mayor is incomparable:“ Everything is wonderful now in the world: the people are all thin, so fried. You never know that he is an important person. "This is the voice of an old official, taken by surprise by the new time: he had already heard it before, and now he was convinced with his own eyes that now they are already in the head, and not in the belly, become important persons.

In the first scenes of the fourth act, Khlestakov talks to himself and is still the same, still himself, and does not betray himself with a single word, not a single movement. After marvelous scenes with the officials of the city, from whom he got money, he guesses for the first time that he is accepted not for what he is, but for the great statesman. The cause of this phenomenon and the consequences that may come out of it are not able to stop his attention on themselves. This is one of those heads that cannot digest the simplest concept and swallow without chewing. He is very glad that he was taken for an important person: "I love it. I like it if they consider me an important person. There is definitely something so inspiring in my physiognomy ..." - and did not finish how much because it phrase heard, and not his own, so much because he suddenly jumped to another subject: "It is also a noble feature on their part that they are ready to lend money."

You see: he was taken for an important person - because he "has something inspiring in his physiognomy"; this is a due tribute to his personal merits, and not another, more important reason for officials; that they gave him money, it was not a bribe, but a loan, and for that moment, as he says, he is quite convinced that he will return his debt to them. But Osip is smarter than his master: he understands everything and affectionately, also as if in passing, advises him to leave, saying: “We walked here for two days, well, that’s enough; why mess with them! the other will run over," and seduces him with a trio of dashing horses with a bell. This bait, as well as a passing warning that "father will be angry for being so delayed," Khlestakova decided to follow prudent advice.

A scene with merchants follows, in which you see, in full view, this merchant class of a district town, who has learned how to make money somehow, but has not yet shaved and washed, so that his beard does not smell of cabbage; who does not know grammar well and lives on "maybe", that is, where he bargained, and where he cheated, and with whom, according to all this, the mayor does without ranks<...>Khlestakov again does not change himself - he borrows, does not want to hear about bribes, and if he gets a little bewildered somewhere, Osip pushes him there and forces him not to be without action.

But now Marya Antonovna enters: she is in a strange room. young man looking for mother ... Her arrival pushes Khlestakov, that is, makes him do what he did not think to do. He is a dandy, she is a "young lady": therefore, he must drag after her. What will come of it - such a thought cannot enter his empty and light head, which acts under the influence of an external circumstance, under the impression of the present moment. The "young lady" is stupid, empty and gone, but she has already read several novels, and she has an album in which Khlestakov must write some kind of brand new "rhymes". Oh, it costs him nothing - he knows a lot of poetry by heart; for example: "O you, that in sorrow in vain," and so on. And here he is on his knees before her. If she were gone, in a minute he would have forgotten about this scene, as if it were completely unprecedented; but his mother comes in and pushes him to "ask for the hand" of Marya Antonovna. He leaves in full confidence that he is the groom and that everything has been done as it should; but the driver shouted, the bell rang out - and Khlestakov was ready to ask himself: "On what, I mean, did I stop?"

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We are already accustomed to the fact that, basically, life presents us with surprises in the form of troubles and difficulties. This is probably why the stories reverse flow circumstances are perceived by us as something out of the ordinary. Such situations seem somewhat ironic. The story told in Nikolai Vasilievich Gogol's story "The Inspector General", in addition to being essentially a gift of fate, is also based on a share of absurdity. This combination makes the work unique and attractive.

Biography of Khlestakov

Naturally, when reading a work, we first of all pay attention to the main character. So, Ivan Alexandrovich Khlestakov is a young landowner, a nobleman who once got into an awkward situation.

He happened to seriously lose at cards. In order to improve his situation a little, he goes to his parents in the estate.

Since his journey is long, he, despite the lack of finances, stops at a hotel in the city of N. Here, luck smiles at him.

He is mistaken for the long-awaited auditor from Moscow. The impudent behavior and demeanor in society leave no doubt to officials - in their opinion, only the auditor can behave like this.

We suggest that you familiarize yourself with the “characteristics of Taras Bulba” in the story of the same name by N.V. Gogol

Since things were not ideal in the city of N., and officials continually retreated from their duties, of course, not in favor of the inhabitants of the city, but in favor of their own pockets, it is impossible to honestly avoid the problems associated with checking their work. None of them wants to lose their hot spot, so all as one they go to Khlestakov and give him bribes - a guarantee that they will remain in office and avoid problems.

At first, Khlestakov was at a loss, but then decided to take full advantage of the situation. With money in his pocket, he successfully retreated from the city. The news about his fictitiousness as an auditor became known too late - blaming Khlestakov and demanding a return of money from him is a stupid thing to do. In this case, it would be necessary to admit the fact of bribery, and this would be the collapse of the career of officials.

Khlestakov's appearance

Like most rogues and scoundrels, Khlestakov has pleasant, trusting facial features. He has brown hair, a "cute nose" and quick eyes that make even determined people feel embarrassed. He is not tall. His complexion is far from graceful and physically developed young men - he is unnecessarily thin.

Such physical data significantly spoil the impression made by him. But the cunning Khlestakov finds a clever way to remedy the situation - an expensive and well-groomed suit.

Ivan Alexandrovich understands that the first impression of him is always formed based on his appearance, therefore, he cannot afford to make a mistake here - clothes made of expensive fabric, sewn based on fashion trends. Always cleaned to a shine - such external factor significantly distracts the attention of society from the inner essence of man.

Khlestakov family, education

How did you have to look and how to behave in order to pass for an auditor in the first half of the 19th century?

First of all, one had to be born an aristocrat. It is extremely difficult for a person of common origin to create the appearance of belonging to high society.

The manner of speaking, the plasticity of movements, gesticulation - this had to be learned for many years. For people of noble origin, this style was commonplace, they adopted it from their parents, their friends who came to visit.

Ivan Alexandrovich was not a luminary of high society, but nevertheless he was a nobleman by birth. His parents own the Podkatilovka estate. Little is known about the state of affairs and the importance of the estate - the fact that the parents sent money to their son says that the estate was not unprofitable, it brought in enough income to provide the life of the whole family with at least the most necessary things.

Nothing is known about Khlestakov's education. It is likely that he received an "average" quality education. Such a conclusion can be drawn based on the position he occupies. Khlestakov works as a collegiate registrar. This type of civil service was at the very end of the list of the Table of Ranks. If Khlestakov's parents were wealthy people, they would be able to provide their son with a better position with the help of connections or money. Since this did not happen, it is inappropriate to talk about the large income of the family or their importance against the backdrop of the aristocracy.

Now let's summarize all the data: financial instability has always been inherent in the Khlestakovs, their income has never been high (if they were ever rich, they could make connections or acquaintances during the period of the material take-off of their family), which means sending their son to study abroad or they had no money to hire highly qualified teachers for him.

Service attitude

The exact age of Khlestakov is not specified. Gogol limits him to 23-24 years old. Basically, people of this age are full of enthusiasm and desire to realize themselves. But this is not Khlestakov's case. Ivan Alexandrovich is rather frivolous about his work, he is not very interested in promotions and the opportunity career development. His work is not difficult and consists in rewriting papers, but he is too lazy to be zealous in the affairs of service to Khlestakov. Instead of working, he goes for a walk or plays cards.

Such carelessness of his is connected, first of all, with the fact that Khlestakov does not suffer from a lack of money. Yes, he lives in a poor apartment, which is located on the fourth floor, but, apparently, this state of affairs does not bother Ivan Alexandrovich. It is likely that he is not used to living in luxurious apartments and therefore does not seek to improve the current housing situation. For Khlestakov, the values ​​of life lie in other things - leisure and clothing. But the situation changes dramatically when Khlestakov needs to stay in an unfamiliar city - here he only stays in the best apartments. It is likely that such a move is connected with Khlestakov's desire to create the impression of a person so rich that all those around him, who do not know the real state of affairs, begin to envy him. It is possible that the calculation is not only on the feeling of envy, with the help of which Ivan Alexandrovich asserts himself, but also on the opportunity to receive some bonuses from local officials or the owner of the hotel.

To this fact is added the fact that Khlestakov is not able to compete with the rich people of St. Petersburg, where he lives most of the time and works. Renting cheap housing allows him to save money on those things that would distinguish him from the same condition as he is - on the attributes of appearance. After all, he does not have to invite everyone to his home or spread unnecessarily about the location of his housing, but the condition and cheapness of the suit can give him a bad reputation. Since life for show is important for Khlestakov, in the manner of very wealthy aristocrats, he has no choice but to save on permanent housing.

Ivan Alexandrovich's parents are discouraged by the lack of promotion of their son in the service. From the looks of it, they were making a big bet on his abilities. The father periodically expresses his indignation on this score, but the son always finds an excuse - not all at once. You have to earn a promotion for a long time. In fact, such an excuse is a lie that allows you to hide the true state of things.

Life in Petersburg

Ivan Alexandrovich cannot imagine his life without Petersburg. It is in this place that everything that is so dear to his heart is collected - the opportunity to spend time in various pleasures. He willingly goes to the theater every day, does not deny himself the pleasure of playing cards. By the way, he finds those who want to play always and everywhere, but not everyone and not always Khlestakov manages to win - staying with his nose is a common thing for him.

Ivan Alexandrovich loves gourmet cuisine and does not deny himself the pleasure of a tasty and satisfying meal.

Personality characteristic

First of all, Khlestakov stands out in society for his ability to lie beautifully and smoothly - for a person who prefers to live with the illusion of wealth, to create the appearance significant person, is a necessity.

Ivan Alexandrovich is aware of his gaps in knowledge, but is in no hurry to eradicate them - the fictitious success created by his lies, arrogant and pompous appearance inspire him.

Nevertheless, from time to time he reads books and even tries to write something on his own, but judging by the fact that there are no reviews of his work from other characters, we can conclude that these attempts were unsuccessful.

Khlestakov loves to be praised and admired, this is another reason to invent something about his life. He loves to be in the spotlight - such success is difficult to achieve in St. Petersburg, but in the provinces, where even his manner of speaking in a metropolitan manner causes a storm positive emotions- it's an easy thing.

Khlestakov is not distinguished by courage, he is not ready to answer for his actions. When officials come to his hotel room, his heart is filled with fear of the possibility of being arrested. At its core, he is a rag, but a good actor - he knows how to create the appearance of a significant and very smart person, although in fact neither the first nor the second corresponds to the true state of affairs.

Khlestakov's attitude towards women

Gogol is silent about Khlestakov's relationship with women in St. Petersburg, but actively paints Ivan Alexandrovich's behavior with female representatives in the province.

Khlestakov knows how to play in public and evoke a feeling of sympathy in people - this applies not only to indicators of good breeding and ostentatious aristocracy. Khlestakov is a skilled seducer and seducer. He enjoys the company of women and their attention.

It is unlikely that he sets himself the goal of getting a wife. For Khlestakov, love interests are a peculiar way of playing, manipulating people.

Arriving in the city of N and meeting the wife and daughter of the governor, he does not miss the opportunity to flirt with both women. First, he confesses his daughter's love, but after a couple of minutes he swears his mother's love. Khlestakov is not at all embarrassed by this fact. In addition, when Marya Antonovna (the governor's daughter) becomes an accidental witness to Khlestakov's tenderness towards her mother, Ivan Alexandrovich, taking advantage of the stupidity of women and their feeling of love for him, turns the whole situation in favor of a wedding with Marya Antonovna - at the same time neither mother nor daughter understand their humiliating position and do not feel offended. Leaving the city, Khlestakov realizes that his matchmaking was a game only for him, everyone else, including Marya Antonovna, takes everything at face value. Doesn't bother him further fate young girl and the opportunity to injure her with his act - he leaves the city with a calm soul.

Thus, Ivan Alexandrovich Khlestakov is a typical scoundrel, capable of bringing grief and trouble to other people for his own pleasure. He does not appreciate the care of himself on the part of his parents and is in no hurry to answer those around him for the kindness done to him in the same way. Most likely, on the contrary, he deftly uses the gullibility and innocence of those around him.

Characteristics of the image of Khlestakov in quotes

Gogol's character appears as the central character of the famous Gogol's text. Moreover, Khlestakov has already become a household name, because the "father" of the character - Nikolai Gogol - managed to create one of the most successful, vivid and capacious literary types. Here, for example, is how Khlestakov's creator describes him:

Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head - one of those people who are called empty in the offices. He speaks and acts without any thought. He is unable to stop the constant focus on any thought. His speech is abrupt, and words fly out of his mouth quite unexpectedly. The more the one who plays this role will show sincerity and simplicity, the more he will win. Dressed in fashion...

Remarque about the place of Khlestakov's image in the plot of Gogol's text
The hero finds himself in one of the small, provincial towns Russian Empire accidentally. And just as accidentally, Khlestakov generates a whirlwind of errors around him. The man constantly stumbles and stumbles. However, at first, events are developing successfully for Khlestakov. The arrival of the hero almost coincides with the arrival in the city of the auditor - a strict Russian official who intended to check the affairs in the town. And so: the inhabitants of the city are waiting for the arrival of an official, and they take our hero for him.

Khlestakov manages to successfully mimic the guise of an auditor. Over time, Gogol's hero reveals his true essence. Our hero is a rake and a gambler, a spender of parental money. A man loves women's society, craves power, influence and money. To the inferior, serfs, servants Khlestakov is emphatically dismissive. The hero calls the peasants scoundrels, swindlers, loafers and fools. The faithful servant of Khlestakov also gets it.

At the same time, Khlestakov seems to be very naive. Money is brought to the hero as a bribe, meanwhile, the man perceives these “offerings” as a loan, exclaiming:

Give me, give me a loan, I will immediately pay off the innkeeper ...

How to evaluate the image of Khlestakov?

Of course, literary scholars were puzzled by how to correctly assess the image of Khlestakov - in a positive or negative way. No, Gogol did not intend to present his character as an evil bandit, swindler, cunning intriguer or rogue. Furthermore, there is so little cunning in our hero that Osip, the hero's servant, sometimes shows much more wisdom in his actions than his master.

Khlestakov is a victim of circumstances, a cycle random events. The hero evokes universal sympathy, because the image of Khlestakov is characterized by such features as good looks, courtesy, charm (especially everyone is fascinated by the smile of a man), as well as good manners. The hero belonged to an aristocratic family, but showed the same inability to live, where he had to earn his living on his own, like all nobles. The man's soul longed for Petersburg life.

Gogol evaluates Khlestakov as neutrally as possible. The writer presents the hero as a young man about "twenty-three to twenty-four years old". The hero was distinguished by cuteness and thinness, the hero’s posture is beautiful, thin, slender. However, the young man was "somewhat stupid and, as they say - without a king in his head - one of those people who are called empty in the offices."

"Hero's Passport", according to Gogol's text

1. Completely Gogol's hero was called Ivan Aleksandrovich Khlestakov. The mayor emphasizes the “plainness”, that is, the smallness, short stature of the hero, who did not at all resemble a powerful auditor. However, the very appearance of Khlestakov is “not bad”, the young man is clearly of interest to the ladies, the favor of mature beauties and young girls.

2. Before the hero arrived in the provincial regions, Khlestakov served in the St. Petersburg office with the rank of collegiate registrar. This is the lowest rank, according to the Russian Table of Ranks:

It would really be good to be something worthwhile, otherwise it’s a simple elistratishka! ..

However, in the Saratov region, Khlestakov had his own village, which was called Podkatilovka. Gogol's hero was heading there until, due to a combination of circumstances, he drove into the city of N. In St. Petersburg, Khlestakov occupies a small apartment located on the top floor. Verkhotury was then occupied by people who did not show off a tight wallet:

... As you run up the stairs to your fourth floor ...

3. The hero's heart did not seem to lie in the service. Therefore, instead of regular and honest work, the young man spends his life in entertainment establishments:

... is not engaged in business: instead of taking office, and he goes for a walk along the avenue, he plays cards<…>“No, my father wants me. The old man was angry that he had not served anything in Petersburg until now. He thinks that he has come and now Vladimir is in your buttonhole and they will give you ... "

So, the Russian writer emphasizes that Khlestakov loved to lead a secluded lifestyle, indulge in various pleasures, spend money on trifles and amusements. Saving Khlestakov was not given in any way, so the hero periodically found himself completely “stranded” and begged for money from his parental savings:

“Profinted expensive money, my dear, now he sits and twisted his tail, and does not get excited. And it would be, and it would be very much for runs; no, you see, you need to show yourself in every city! .. "<…>“... Batiushka will send money to hold it back - and where!

4. Khlestakov is characterized by a love of luxury. Therefore, the hero does not deny himself anything, lives beyond his means, buys the most expensive things, prefers delicious kitchen delights, theatrical performances, gambling, in which he lost more often than he won:

“And I, I confess, do not like death to deny myself the road, and why? Is not it?.."<…>“... Hey, Osip, go look at the room, the best one, and ask for the best dinner: I can’t eat a bad dinner, I need a better dinner ...”<…>"I like to eat. After all, you live for picking flowers of pleasure.<…>"I - I confess, this is my weakness - I love good food"<…>“Tell me, please, do you have any entertainment, societies where you could, for example, play cards? ..”<…>“…sometimes it’s very tempting to play…”<…>“... He gets acquainted with a passer-by, and then in cards - so you finished your game! ..”<…>“Yes, if I hadn’t drank in Penza, it would have been money to get home. The infantry captain greatly taunted me: shtoss surprisingly, a beast, cuts off. I just sat there for a quarter of an hour and robbed everything. And with all that fear, I would like to fight him again. The case just did not lead ... "

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"Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head, is one of those people who are called empty in the offices. He speaks and acts without any consideration. He is not able to stop the constant attention to any thought. His speech is jerky, and the words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. "

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"Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head, is one of those people who are called empty in the offices. He speaks and acts without any consideration. He is not able to stop the constant attention to any thought. His speech is jerky, and the words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. "

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"Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head, is one of those people who are called empty in the offices. He speaks and acts without any consideration. He is not able to stop the constant attention to any thought. His speech is jerky, and the words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. "

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"Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head, is one of those people who are called empty in the offices. He speaks and acts without any consideration. He is not able to stop the constant attention to any thought. His speech is jerky, and the words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. "

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oh my god it's the same everywhere

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According to the author's description, Khlestakov is "somewhat stupid", "without a king in his head", such people are usually "called empty in the offices", "Speaks and acts without. any consideration. He is unable to stop the constant focus on any thought. His speech is abrupt, and words fly out of his mouth quite unexpectedly. Already at the first appearance of Khlestakov in a tavern in action, his lordly manner of speaking is striking. This is expressed both in nit-picking Osip and in pulling him up: "Lying on the bed again?", "You're lying, lying around...", "How dare you?" treat others: I, brother, am not of that kind! do not advise me”; and in an imperative form, which he often resorts to when referring to Aspen: accept, look, go, say, call, reason, persuade, explain, etc .; and in the streams of abuse that he brings down on Osip, and on the tavern servant, and on his master and people like him: a fool, a beast, a rude animal, swindlers, etc. In Khlestakov, his arrogant lordship in the contemptuous use of the word bulges noticeably peasant as something low, unworthy. “He thinks,” Khlestakov says to the tavern servant about his master, “that it’s okay for him, a peasant, if he doesn’t eat for a day.” He does not spare the provincial landowners and calls them "pennies", gets from him and his father: "old horseradish." But when need presses him, he finds completely different intonations and words and no longer orders, but asks Osip. So, he turns to Osip, sending him for dinner: “Tell me there ... so that they give me lunch,” and Gogol notes in the author’s remark that he utters these words “in a voice that is not at all decisive and not loud, very close to the request” . He is also amiable with a tavern servant when he intends to beg him for dinner. “Hello, brother! Well, what are you, healthy, ”Khlestakov warily meets the servant, although, of course, he doesn’t care about his health. Then Khlestakov politely asks him about the hotel: “How are you at the hotel? Is everything going well?”, “Many people passing by?” Further, politely calling the servant "dear" (twice), he carefully and ingratiatingly asks and reasoned with him to give dinner, adding even the word "please" ("please hurry"). Belinsky, admiring Gogol’s skill in showing Khlestakov in a sheaf with a tavern servant, wrote: “Look how he (Khlestakov) is mean to the tavern servant, inquiring about his health and the number of people who come to their tavern, and how affectionately asks him to hurry up to bring him dinner ! What a stage, what positions, what language! But as soon as dinner appeared, even a bad one, Khlestakov's state of health, and at the same time his speech, changed dramatically. He immediately becomes demanding and disrespectful towards the owner of the tavern, his lordly vanity spoke again in him. "I don't care about your master!" he declares to the servant, and demands a good meal for himself. The second act of the comedy provides vivid material for revealing Khlestakov's internal contradictions, which inevitably affects his speech. As already noted, in the scene of Khlestakov's conversation with Osip and the tavern servant, there are sharp transitions from rudeness to courtesy, from fawning to arrogance. The desire to squander money in order to provide oneself with constant entertainment and pleasure - to rent the best room, get the best dinner, play cards, ride a cab, go to the theater every day, walk along the "prefect", i.e. do not do what is proper to a serious and restrained young man, Osip very correctly notes. Realizing that they take him in the city for a very important official, and therefore show respect, Khlestakov resorts to the form of expressing his tastes and desires, which is apparently familiar to him.

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He was a homeless person!

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One of the main characters of the play is the imaginary auditor Khlestakov, as a person he is faceless. In fact, Khlestakov is a petty official, an insignificant person, almost no one respected him, he was not even respected by his own servant. He was poor, he had no money to pay for a room and for food. He began to beg the owner to feed him on credit. But when the food was brought to him, he began to imagine that the soup plain water, and the cutlet tastes like a puck. All the officials, not pure in conscience, thought that this was: an example of official cunning, intelligence and foresight, and no one doubted that he was an auditor and gave bribes. He took them, and took them, and the thirst for profit grows. In a letter to Tryapkin, the true face of Khlestakov is revealed to officials: a frivolous, stupid, braggart. He lives like a free bird, fluttering, not thinking about the future, and not remembering the past. He wants to go wherever he wants, he will do what he wants. The most important thing is the desire to show off before the ladies, before the officials, before ordinary people. Not forgetting to mention that he is from St. Petersburg (In Nikolaev time, it was the capital of Russia). He is a creative person: firstly, he is artistic, because he quickly got used to the role of an auditor, and secondly, having collected bribes, he wants to take up literature. For the time being in this small town he had plenty of time to show off in front of the ladies, that is, in front of the wife and daughter of the mayor, in front of officials, and in front of ordinary people, telling them about the manners of secular life in the capital. He did not know that the postmaster would open his letter. But he somehow felt that he would be exposed, and he fled.

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One of the main characters of the play is the imaginary auditor Khlestakov, as a person he is faceless. In fact, Khlestakov is a petty official, an insignificant person, almost no one respected him, he was not even respected by his own servant. He was poor, he had no money to pay for a room and for food. He began to beg the owner to feed him on credit. But when the food was brought to him, he began to imagine that the soup was plain water, and the cutlet tasted like a puck. All the officials, not pure in conscience, thought that this was: an example of official cunning, intelligence and foresight, and no one doubted that he was an auditor and gave bribes. He took them, and took them, and the thirst for profit grows. In a letter to Tryapkin, the true face of Khlestakov is revealed to officials: a frivolous, stupid, braggart. He lives like a free bird, fluttering, not thinking about the future, and not remembering the past. He wants to go wherever he wants, he will do what he wants. The most important thing is the desire to show off in front of the ladies, in front of officials, in front of ordinary people. Not forgetting to mention that he is from St. Petersburg (In Nikolaev time, it was the capital of Russia). He is a creative person: firstly, he is artistic, because he quickly got used to the role of an auditor, and secondly, having collected bribes, he wants to take up literature. During that time in this small town, he had plenty of time to show off in front of the ladies, that is, in front of the wife and daughter of the mayor, in front of officials, and in front of ordinary people, telling them about the manners of secular life in the capital. He did not know that the postmaster would open his letter. But he somehow felt that he would be exposed, and he fled.

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"Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head, is one of those people who are called empty in the offices. He speaks and acts without any consideration. He is not able to stop the constant attention to any thought. His speech is jerky, and the words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. "

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Khlestakov is an "Elistratishka" from St. Petersburg, a typical representative of an official who turned around in departments and living rooms, bookstores and coffee houses. He saw some things, heard some things. The main thing in Khlestakov's life was money, rank, career and Savor. But he did not manage to carry out all this, and he goes to the village. In Khlestakov's head "unusual lightness in thoughts", he is ready for any adventure: show off, play cards, go on a spree. And then a convenient opportunity turns up - he is mistaken for an auditor. In the scene of lies, he reaches the top, although he lies constantly. And this is where the peculiarity of Gogol's comedy manifests itself: they do not believe the truth, but listen to lies with their mouths open. At first it seems to us that Khlestakov is naive, but this is not so. He simply accepts the circumstances in which he finds himself. It seems to us that Osip is telling the owner to “get away”, but Khlestakov also suspects something is wrong in the current situation: “It seems to me, however, that they take me for a statesman ... What a fool! Showing off in front of Marya Antonovna, he almost let it slip: “Excuse me, madam, I am very pleased that you took me for such a person who ...”, but he catches himself in time so as not to bring trouble on himself. Khlestakov realized that he was mistaken for another, and willingly enters the role. He did not cheat the officials, they were deceived themselves. Khlestakov's character is typical for many people. N.V. Gogol himself wrote: “Everyone, even for a minute ... is or was being made Khlestakov ... And a clever guards officer will sometimes turn out to be Khlestakov, and a statesman ..., and our brother, a sinful writer. In a word, rarely will anyone not be at least once in their life. Each character in the comedy has its own Khlestakovism: the dreaming Gorodnichiy, Shpekin, in the character of Osip. We meet Khlestakov right away, in “Remarks for gentlemen actors”: “Khlestakov, a young man of about 23, thin, thin, somewhat stupid and, as they say, without a king in his head ... He speaks and acts without any consideration ... His speech is jerky , and the words fly out of his mouth completely unexpectedly ... Dressed in fashion. Scene after scene unfold before us vivid image Khlestakov. He came to St. Petersburg from the Saratov province to succeed in the service. Having been in the anterooms of the nobility and dressed up a little, dressed in fashionable clothes from the capital, Khlestakov is forced to return home to his father, having squandered his parents' money and having achieved nothing in the service. Khlestakov, according to Osip, "a simple elistrat". “The second month has gone, as already from St. Petersburg! Profited expensive money, my dear, now he sits and twisted his tail. He is a negligent son of a parent, he says about his father that he is "stubborn and stupid, old horseradish, log." Khlestakov does not like to live in the village; he prefers metropolitan life. “My soul yearns for enlightenment”, “after all, you live on that in order to pluck the flowers of pleasure.” IN different cities, on the way home, he tries to show himself a secular person, goes on a spree, loses his last money at cards, because it is “tempting” for him to play. And he remains in the city without funds, he faces a prison. Long sitting in the hotel, fear of the arrival of the auditor and makes the officials, led by the mayor, see a state official in the passing "elistratishka". Realizing that he is taken for important bird, Khlestakov "lets dust in". When he tells the truth, officials consider it a lie, and when Khlestakov lies, they take his words for the truth. Khlestakov lies in such a way that he himself believes in the ardor of what was said and cannot stop. But he's not as stupid as he first appears. He understands that he was mistaken for a government official, and tries to get the most out of this for himself: he extorts money, takes bribes, drags himself behind the daughter and wife of the mayor.

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Khlestakov Ivan Alexandrovich “... a young man of about 23, thin, thin; somewhat stupid and, as they say, without a king in his head ... He is not able to stop constant attention on any thought. H. sent from St. Petersburg, where he serves as a copyist of papers, in the Saratov province to his father. On the way, he completely lost, so he has no money at all and lives in a tavern on credit. The arrival of Gorodnichiy H. at first connects with the arrest for non-payment of the debt. Then, having borrowed money and moved to an apartment with Skvoznik-Dmukhanovsky, H. thinks that all this is done solely because of the humanity and hospitality of the official. By Kh. begin "begging" visits of officials and merchants of the city. He, more and more impudent, borrows money from them. Only after this H. realizes that he is mistaken for someone else. Having driven the poor visitors by the neck, he reports everything that happened in a letter to his friend Tryapichkin. At the same time, H. gives the most unflattering reviews to each of the city's officials. H. fully get used to the role of "high face". It is very good for him to be the one who real life he can only envy and what he will never become. Carefree H. invents the most fantastic images, impressing the officials. Slowly with the departure, H. starts a double romance with his wife and daughter Gorodnichiy. He even proposes to Marya Antonovna, which awakens in Gorodnichi hopes for the rank of general. H. is so carried away by his role that he forgets about everything. And if not for his quick-witted servant Osip, then H. would not have left on time. The “false inspector” would have been exposed on the spot by reading his letter to Tryapichkin and meeting the real inspector. H. is “a liar by inspiration”, he lies and boasts disinterestedly, just not remembering what he said a minute ago. But there is something sad, even tragic, in his chatter. In the world that H. created, tough bureaucratic laws have been overcome Russian life. An insignificant official here is promoted to field marshal, becomes a great writer or lover beautiful lady. Thus, lying allows the hero to come to terms with his miserable life.

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One of the main characters of the play is the imaginary auditor Khlestakov, as a person he is faceless. In fact, Khlestakov is a petty official, an insignificant person, almost no one respected him, he was not even respected by his own servant. He was poor, he had no money to pay for a room and for food. He began to beg the owner to feed him on credit. But when the food was brought to him, he began to imagine that the soup was plain water, and the cutlet tasted like a puck. All the officials, not pure in conscience, thought that this was: an example of official cunning, intelligence and foresight, and no one doubted that he was an auditor and gave bribes. He took them, and took them, and the thirst for profit grows. In a letter to Tryapkin, the true face of Khlestakov is revealed to officials: a frivolous, stupid, braggart. He lives like a free bird, fluttering, not thinking about the future, and not remembering the past. He wants to go wherever he wants, he will do what he wants. The most important thing is the desire to show off in front of the ladies, in front of officials, in front of ordinary people. Not forgetting to mention that he is from St. Petersburg (In Nikolaev time, it was the capital of Russia). He is a creative person: firstly, he is artistic, because he quickly got used to the role of an auditor, and secondly, having collected bribes, he wants to take up literature. During that time in this small town, he had plenty of time to show off in front of the ladies, that is, in front of the wife and daughter of the mayor, in front of officials, and in front of ordinary people, telling them about the manners of secular life in the capital. He did not know that the postmaster would open his letter. But he somehow felt that he would be exposed, and he fled.

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cool kid

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Ivan Aleksandrovich Khlestakov is one of the main characters in N. V. Gogol's comedy The Inspector General. The author himself characterizes him as follows: “a young man of about twenty-three, thin, thin; ... somewhat stupid and, as they say, without a king in his head, - one of those people who are called empty in the offices. He speaks and acts without any thought. We learn that Khlestakov, on the way home from St. Petersburg, lost to smithereens. And now, without a penny of money, he is sitting in a hotel in the county town N. It is here that the mayor finds him, mistaking him for an "important bird" - the auditor. Khlestakov is a typical "little man" who is aware of his complete insignificance. He works in the office and receives a meager salary. But, at the same time, the hero dreams of a different life, which he sees every day in St. Petersburg. Khlestakov wants to feel like a "significant person", lead a luxurious lifestyle, wants to be "the ladies' favorite": "But you can't hide, you can't! As soon as I go out somewhere, they say: “Out, they say, Ivan Alexandrovich is coming!” And once they even took me for the commander-in-chief: the soldiers jumped out of the guardhouse and made me a gun. But in fact, all this is not given to the hero. Not given from birth, which means that Khlestakov will never receive this. At the same time, Ivan Aleksandrovich is endowed with the talent of an irrepressible dreamer and liar. Gogol speaks of him as a man "without a king in his head." Among other things, this hero is very frivolous and superficial, he does not think about the consequences of his actions. That is why he, finding himself in the role of a false auditor, begins to uncontrollably lie about himself: “But there is no way to hide, no way! As soon as I go out somewhere, they say: “Out, they say, Ivan Alexandrovich is coming!” And once they even took me for the commander-in-chief: the soldiers jumped out of the guardhouse and made me a gun. What is most interesting, Khlestakov himself believes in what he is talking about. He, lying, presents himself as a great writer, and a general, and public figure, almost by the sovereign-emperor himself. Without a twinge of conscience, this hero borrows money from officials, knowing that he will not return it. Khlestakov considers it acceptable to drag along immediately after two ladies - the wife and daughter of the mayor, promising both of them love to the grave: “It's nothing! For love there is no difference; and Karamzin said: "Laws condemn." We will retire under the canopy of the jets...” And all this “disgrace” could continue for a long time. And it would have ended very badly for Khlestakov himself, because the hero would not have been able to stop in time. By a lucky chance, he leaves the city, and soon the mayor and the whole city will find out that he was just a deceiver, a liar, a heliporter: “I mistook an icicle, a rag for an important person! There he is now flooding the whole road with a bell! Spread history around the world. A whole phenomenon is named after Khlestakov - "Khlestakovism". It implies unbridled lies, and frivolity, and superficiality, and stupidity, and the desire to impersonate someone other than who you really are, and irresponsibility.

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Khlestakov Ivan Alexandrovich “... a young man of about 23, thin, thin; somewhat stupid and, as they say, without a king in his head ... He is not able to stop constant attention on any thought. H. sent from St. Petersburg, where he serves as a copyist of papers, in the Saratov province to his father. On the way, he completely lost, so he has no money at all and lives in a tavern on credit. The arrival of Gorodnichiy H. at first connects with the arrest for non-payment of the debt. Then, having borrowed money and moved to an apartment with Skvoznik-Dmukhanovsky, H. thinks that all this is done solely because of the humanity and hospitality of the official. By Kh. begin "begging" visits of officials and merchants of the city. He, more and more impudent, borrows money from them. Only after this H. realizes that he is mistaken for someone else. Having driven the poor visitors by the neck, he reports everything that happened in a letter to his friend Tryapichkin. At the same time, H. gives the most unflattering reviews to each of the city's officials. H. fully get used to the role of "high face". It is very good for him to be someone whom in real life he can only envy and whom he will never become. Carefree H. invents the most fantastic images, impressing the officials. Slowly with the departure, H. starts a double romance with his wife and daughter Gorodnichiy. He even proposes to Marya Antonovna, which awakens in Gorodnichi hopes for the rank of general. H. is so carried away by his role that he forgets about everything. And if not for his quick-witted servant Osip, then H. would not have left on time. The “false inspector” would have been exposed on the spot by reading his letter to Tryapichkin and meeting the real inspector. H. is “a liar by inspiration”, he lies and boasts disinterestedly, just not remembering what he said a minute ago. But there is something sad, even tragic, in his chatter. In the world that H. created, the rigid bureaucratic laws of Russian life have been overcome. An insignificant official here is promoted to field marshal, becomes a great writer or the lover of a beautiful lady. Thus, lying allows the hero to come to terms with his miserable life.

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One of the main characters of the play is the imaginary auditor Khlestakov, as a person he is faceless. In fact, Khlestakov is a petty official, an insignificant person, almost no one respected him, he was not even respected by his own servant. He was poor, he had no money to pay for a room and for food. He began to beg the owner to feed him on credit. But when the food was brought to him, he began to imagine that the soup was plain water, and the cutlet tasted like a puck. All the officials, not pure in conscience, thought that this was: an example of official cunning, intelligence and foresight, and no one doubted that he was an auditor and gave bribes. He took them, and took them, and the thirst for profit grows. In a letter to Tryapkin, the true face of Khlestakov is revealed to officials: a frivolous, stupid, braggart. He lives like a free bird, fluttering, not thinking about the future, and not remembering the past. He wants to go wherever he wants, he will do what he wants. The most important thing is the desire to show off in front of the ladies, in front of officials, in front of ordinary people. Not forgetting to mention that he is from St. Petersburg (In Nikolaev time, it was the capital of Russia). He is a creative person: firstly, he is artistic, because he quickly got used to the role of an auditor, and secondly, having collected bribes, he wants to take up literature. During that time in this small town, he had plenty of time to show off in front of the ladies, that is, in front of the wife and daughter of the mayor, in front of officials, and in front of ordinary people, telling them about the manners of secular life in the capital. He did not know that the postmaster would open his letter. But he somehow felt that he would be exposed, and he fled.

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N. V. Gogol gives Khlestakov following characteristic in the preface to the comedy "The Inspector General": "... Khlestakov, a young man of about twenty-three, thin, thin; somewhat stupid and, as they say, without a king in his head - one of those people who are called empty in the offices. He speaks and acts without any thought. He is not able to stop his constant attention on any thought. His speech is jerky, and words fly out of his mouth quite unexpectedly. The more the person who plays this role shows frankness and simplicity, the more he will benefit. Dressed in fashion. .." The image and characterization of Khlestakov in the comedy "The Government Inspector" by Gogol Full name hero - Ivan Aleksandrovich Khlestakov: "... Ivan Aleksandrovich Khlestakov, an official from St. Petersburg ..." Khlestakov's age is about 23-24 years old: "... Young, about twenty-three or four years old..." Khlestakov's appearance is known the following: "... No, more chantret *, and eyes as fast as animals, even lead to confusion ..." (* chantret - brown-haired, a man with chestnut hair) "... But what a nondescript, the short one, it seems, would have crushed him with a fingernail.,." (the words of the mayor) "... thin, thin - how do you know who he is? .." "... Good-looking ..." "... Darling Osip, what a handsome master of yours! .Osip, darling! what a nice little nose your master has! .." "... when suddenly, according to my Petersburg physiognomy and costume, the whole city mistook me for the governor-general ..." The following is known about Khlestakov's clothes: ". ..in a particular dress *..." (* particular dress - clothing "in civilian life", that is, not a service uniform) "... And the cloth is so important, English! One and a half hundred rubles will cost him one tailcoat, but on the market he will lower rubles for twenty; and there’s nothing to say about trousers - they don’t care to go ... "... He gives his cap and a cane..." "... but when he puts on a little coat - well, like a fly with clipped wings..." .Sometimes he will let everything down to the last shirt, so that all that is left on him is a frock coat and an overcoat ... "Chin Khlestakova - collegiate registrar:" ... It would really be nice to have something worthwhile, otherwise it’s a simple lady! .. " (popularly "elistratoro m" called the registrar, the official himself lower class in the "Table of Ranks") Khlestakov - nobleman, landowner: "... I'm going to the Saratov province, to my own village ..." Khlestakov serves as an official in the office in St. Petersburg: "... I serve in St. Petersburg ..." "... You may think that I'm only copying ..." (Khlestakov's job is to copy papers) "... No, I would send him to hustle in the office ..." (Khlestakov about his service chancellery) Khlestakov is rarely in the service and instead walks or plays cards. Therefore, he did not advance in the service: "... he is not engaged in business: instead of taking office, he goes for a walk around the prefecture, plays cards ..." "... No, the father demands me. The old man got angry that before so far he hasn’t served anything in St. Petersburg. He thinks that he’s come and now Vladimir is in your buttonhole and they’ll give you ... " Khlestakov lives in a modest apartment in St. Petersburg on the 4th floor: "... How do you run up the stairs to your fourth floor ... "(poor residents then settled on the upper floors) Khlestakov's parents live in the village of Podkatilovka in the Saratov province, where he travels through the city of N: "... Write to me in the Saratov province, and from there to the village of Podkatilovka. .." Khlestakov's parents send him money from the village: "... I really will pay ... They will send me from the village ..." (about himself) Khlestakov does not know how to save money and spends money on a variety of pleasures. Sometimes he is left completely without money and then he waits for help from his parents: “... He has profited expensive money, my dear, now he sits and tucked his tail, and does not get excited. show yourself in every city!.." "... Batiushka will send de

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Option 1:

Ivan Alexandrovich Khlestakov - the main character of the comedy N.V. Gogol's "Inspector". A thin young dandy of twenty-three years old from St. Petersburg finds himself in a confluence of circumstances in which his true essence is revealed more than ever.

Returning home to his father in Saratov, Khlestakov loses all his money in cards. By chance, at the same time, in a small county town N, the city authorities receive a letter about the auditor who came to check. Khlestakov is mistaken for an auditor and begins to curry favor and give bribes in every possible way, and he, in turn, gets used to a new role, taking what is happening for granted.

“He speaks and acts without any consideration,” the author writes about Khlestakov. The notability of the character lies in his obvious love to brag and flaunt himself, thanks to which he manages to throw dust in the eyes of everyone around him. Praising himself before the mayor and the ladies, he himself believes in his own lie. He already presents himself almost as a department director and an outstanding artist.

At the same time, Khlestakov is not a malicious intriguer. At first, he naively believes in the kindness and benevolence of those around him who give him "loans", remaining polite to them, but still greedy. Ivan Alexandrovich is so flattered by himself and the location of the town authorities that he dares to ask for the hand of Marya Antonovna, the daughter of the mayor, and receives consent. Only thanks to his more ingenious servant Osip, he manages to back up in time and get out of the water dry.

Not without reason, thanks to the bright character of Khlestakov, the concept of “Khlestakovism” appeared, characterizing shameless self-praise and lies, when emptiness and stupidity are hidden under a catchy pompous appearance. Nikolai Vasilyevich himself wrote that every person at least once in his life becomes Khlestakov. These words tell us about the relevance of the character in our time.

Option 2:

One of the main characters of the famous comedy work by N.V. Gogol "The Government Inspector" is a slightly stupid, but cunning guy who will not miss any good opportunity - Ivan Aleksandrovich Khlestakov.

When local officials became agitated and mistakenly took him for a visiting auditor traveling incognito, Khlestakov supported this convenient situation and began to desperately lie and play along. For his own benefit, he either appears before everyone as an absolutely lost reveler asking for dinner, then he adds significant importance to himself, pretending to have good connections with dukes and counts, or even a real womanizer and womanizer. Khlestakov's artistry can only be envied.

In this comedy work, on the one hand, our hero is a simple-hearted guy, a chatterer-joker who does not have much knowledge, but only superficial ones, and always walks on his own mind. He plays what the local environment wants to see in him, any role, so long as no one suspects that he is not an auditor. His speech is rather primitive, in which literary cliches and misuse heard beautiful French words.

It is possible to characterize Khlestakov as a home-grown rogue, which you only need to look for, a lazy and uneducated person who does not hesitate to brag and skillfully lie. Ivan Alexandrovich Khlestakov never took seriously the words he said and was not going to answer for them.

Thanks to the protagonist of N. V. Gogol's comedy "The Government Inspector", a new word for everyone appeared in everyday life - "Khlestakovism", which is defined as lies, boasting and irresponsibility rolled into one.

Option 3:

Ivan Andreevich Khlestakov - main character comedy by N. V. Gogol "The Government Inspector". He is presented as a controversial and ambiguous personality. The young man is constantly dissatisfied with his life and he never has money. Khlestakov does absolutely nothing to change his life, but only hopes that the day will come and everything will be decided by itself.

His position is fully consistent with his character. The character by nature is an adventurous person and partly a rogue. If he had been an honest man, he would not have turned to practically strangers(Dopchinsky and Bobchinsky) with a request to borrow money, not being able to give it back. And even more so, he would not have shown interest in both his daughter and her mother at the same time.

Khlestakov is an inveterate liar and deceives people very easily and naturally, as small children do when they compose some kind of fable. His stories bring him pleasure. During conversations, the hero behaves irresponsibly, does not talk about something specific or serious. Even Gogol himself emphasizes in it the spiritual emptiness and lack of morality. He, as a narrow-minded person, believes that in order to achieve success, one does not need to make efforts, possess certain knowledge and talent. Khlestakov is sure that just a chance to achieve the goal is enough, everything can be decided, for example, luck during card games which he loves so much.

Gogol managed to create an image that demonstrates to readers many human vices. IN modern world corrupt officials would hardly have mistaken Khlestakov for an auditor, but, nevertheless, many of us have his features.

Option 4:

Nikolai Vasilyevich Gogol creates the image of a young man who, due to circumstances, becomes the center of attention of a small county town. The heroes of the comedy take him for the auditor, and he, in turn, brilliantly plays his role. His name is Ivan Alexandrovich Khlestakov.

In a note to actors, the author describes appearance hero like this: “a young man of about twenty-three, thin, thin; somewhat silly "..." - one of those people who are called empty in the offices. He speaks and acts without any thought. "..." Dressed in fashion.

The development of the plot introduces the reader even closer to Khlestakov. In addition to the listed characteristics, others will be added to it. Ivan Alexandrovich is a dreamer. He tries to realize his dreams in a conversation with the townspeople, especially with the ladies. He assures them that he is personally acquainted with A.S. Pushkin, which is included in elite society, that it is he who owns the famous works: "The frigate" Nadezhda "," Moscow Telegraph "," Yuri Miloslavsky ".

Despite the stupidity noted by Gogol, Khlestakov is not without resourcefulness and cunning. Understanding his position, under the guise of a monetary debt, he robs frightened officials and manages to "get away dry" from love triangle. Moreover, he sends a letter to his St. Petersburg friend Tryapichkin about all the adventures that happened to him. In it, Khlestakov mocked the deceived people, not stinting on insults: “The mayor is stupid, like a gray gelding ...”, “The overseer of a charitable institution Strawberry is a perfect pig in a yarmulke”, etc.

N.V. Gogol depicted " little man”, who is not distinguished by outstanding qualities, but strongly wants to possess wealth and fame. Khlestakov laughs not only at the officials and the mayor, but also at himself, because he is no better than them. Is that "dressed in fashion."

The image of the false auditor in Gogol's comedy is not at all the main one, but it is a key character, on the basis of interaction with which the characters of all the heroes, officials of a small county town, are written out. Khlestakov was that touchstone, which shows all the comedy and bureaucratic lawlessness, and the whole life of Russia at that time. It is on the stupidity of this petty official, who happened to be passing through here, that all the stupidity and worthlessness of the local aristocracy and the bureaucratic elite looms.

Initially, a stupid, eccentric young man is shown with excessive claims to life, which, as we understand, are his style of behavior. Then we see in his example the reality of this nature in other heroes of the play.

Khlestakov's characteristic

The initial characterization of Khlestakov was already given by the author himself, as a recommendation for the actor who will embody this image on stage. It is characterized as empty and extremely foolish man. However, in the course of the play, the image of Khlestakov opens up more fully, in all its comic diversity.

It is no coincidence that the first appearance on the stage of this image is not associated with the young man himself, but with his servant, who talks for a long time about the owner. He characterizes him - “it would be good if it was worthwhile, otherwise it’s a simple lady”, meaning obviously the most insignificant rank and the fact that the owner behaves stupidly and arrogantly out of status. They are completely characterized by the local owner of the hotel - "you and your master are scammers, and your master is a rogue." More accurate description and it's hard to give. In a dispute with the owner, not just stupidity is manifested, but an awkward childish naivety in an attempt to still make a proper impression and deceive everyone.

(Artist L. Konstantinovsky, illustration for "The Government Inspector", 1951)

It is these attempts that he succeeds with success when he communicates with local officials. For local officials, the fear of exposure of their unseemly acts in the service and innate servility close up the seemingly obvious stupidity of the visitor. And Khlestakov, as they say, has already suffered.

In dealing with the mayor and the local elite, our hero shows remarkable imagination and reckless impudence, which could be quickly exposed in ordinary society, but in this case passes for the truth. No less stupid are the ladies, and the police, and the owner of the city himself, whom the author described as "not a very stupid person."

The image of Khlestakov as the main character of the comedy

And yet, Khlestakov, with his role in the play, interacting with the rest of the characters, is the main character. The way the rest of the characters characterize him, in a positive laudatory or in a negative ironic way, reveals their own characters.

By chance, finding himself in the role of the capital's auditor, Khlestakov, not at all embarrassed, takes on this role and fulfills it in accordance with his own primitive ideas about the habits and lifestyle of high officials. However, the fact that they cannot expose him suggests that it was precisely such habits that all bureaucracy was endowed with.

(Weinstein Mark Grigorievich "Khlestakov and the Governor", 1945-1952)

They easily believe him and obsequiously try to please, especially seeing in him a bird of "high flight". An intelligent mayor, seasoned policemen, young ladies easily recognize him as a capital burner. Obviously, according to Gogol's plan, this is a hyperbole of the beau monde that he observed in real life. And the final silent scene turns out to be the apogee of comedy and the actors perceived as just a possible repetition of what happened.

Even the very fact of exposure did not in any way affect the change in the consciousness of one's own mistake and stupidity of either the local bigwigs or the false auditor himself. The only annoyance on both sides is the unfortunate mistake and the fact that this official did not turn out to be exactly who he claimed to be. Only one annoyance that "will spread history around the world." And the very fact of the mistake did not turn out to be a lesson for anyone, because the mistake itself was only in the personality of the arrived veil, but not in his behavior, actions, stories and boasting. As the mayor said - “I myself am not glad that I drank, as if even half of what he said turns out to be true!” This is precisely the main meaning invested in the image of the protagonist, the author. The stupidity of officials reveals the very viciousness of the entire bureaucratic system of the state.