The police found the son of Yuri Aizenshpis. Yuri Aizenshpis - biography, information, personal life Further activities in show business

On September 20, Yuri Shmilevich Aizenshpis (1945-2005), one of the few real producers in this country, died.

Aizenshpis got into show business in his youth, but much of what he did then was on the verge of legality (). As a result, the guy went to a prison university and was able to fully return to work only by the age of 45.

Aizenshpis' first project was Viktor Tsoi, whose cooperation was interrupted by a tragic accident.

Artists left him with scandals, he threw them himself, sometimes there was not enough money for further promotion.

Let's talk today about the "thwarted" projects of the producer, who is considered super-successful.

TECHNOLOGY GROUP (1991-1992)

Collaboration: The members of the group agree that Aizenshpis took them, like Tsoi, "ready". There was no need to do anything - "Technology" had already successfully performed "Strange Dances" and "Press the Button", which became calling card Guys.

Aizenshpis just shot them a video for "Strange Dances" and charged the airwaves. In addition, he persuaded the participants to mow outwardly to Depeche Mode. Well, I also brought lighting equipment from abroad.

But to shoot clips and charge the broadcasts cost money, which the participants of the "Technology" did not seem to understand. The editors on television demanded money for every sneeze, making Aizenshpis nostalgic for the days when Tsoi's appearance in the Vzglyad program cost nothing.

Reasons for the gap: The "Technology" was ruined by the crowd. Incomes were divided at the rate of 60% to Aizenshpis, 40% to the group. In principle, in a divine way, but these 40% had to be pulled for four and the amount was not impressive. Why Technologiya accused Aizenshpis of this is not entirely clear. Let's assume - trouble with arithmetic.

Wanting to wrest from Aizenshpis not only freedom, but also money, Technology turned to crime for help.

Aizenshpis said:

“A letter on 15 pages with a red ballpoint pen with a bunch of accusations was received not only by me, but also by some criminal elements who undertook to judge us. I just couldn't dismiss these people and agreed to meet. The shooter took place in one of the rented apartments near Sokol. In addition to me, who came in splendid isolation, and the brawlers from the group, there were several more highly respected people in criminal circles. Kind of like a protégé of musicians. And with someone I even somehow sat together ...

Debriefing has begun. Having calmly listened to a whole stream of accusations, I answered each of the points with such skill and reason that I didn’t even leave a stone unturned. The criminal element recognized my innocence and did not take the side of the musicians. All that I lost as a result of this meeting was a mountain of promotional material for the group, all sorts of stupid posters and calendars with their arrogant faces "

"YANG GUNS" (1992)

Collaboration: Not realizing that the time for pop music was coming, Aizenshpis took another rock band under his wing, but quickly changed his mind. He did not have time to invest steep finances in this project, for which he repeatedly thanked the Lord.

Reasons for the breakup: The initiator of the breakup was Aizenshpis, he got too wild musicians. The guys all the time shared leadership in the team, starting fights right at the concerts, spoiling the equipment, conflicting with the police. And it was not yet glory, and even its breath would blow the roof off without a return. Realizing this, Aizenshpis broke the contract.

LINDA (1992-1993)

Collaboration: Linda Aizenshpis was interested in dad, banker Alexander Geiman, or rather, his money. First of all, Aizenshpis destroyed Linda's duet with her girlfriend, convincing him that it was easier to push through a solo project. Then he faced the shyness of the future star. Aizenshpis gave her a description:

Linda wore long hair and could not speak coherently: an ordinary provincial Jewish girl whose dad has risen a lot. No talent at all, just a girl who wanted to sing. And in the school, of course, having felt the taste of profit, they began to write it down as super talents. They just bred the parent for clearly selfish purposes so that he would hire expensive teachers.

Reasons for the gap: Naturally, the producer's criticism strained the banker, and Aizenshpis did not know how to mold something acceptable from the artist. And then Max Fadeev appeared on the horizon.

The success of the first albums could not be repeated, although in 2004 Linda had another powerful promotion with producer Prigogine at the head.

VLAD STASHEVSKY (1993-1999)

Collaboration: The first project of Aizenshpis, molded by him from start to finish and having big success. Taking a handsome, well-mannered guy, Aizenshpis ordered music and lyrics for him. Vlad fired a very powerful shot, certain moment all the broadcasts were his.

The project lasted a long time, since Stashevsky understood what he owed to the producer and did not have grandiose creative claims. Everything was going great until Vlad married the daughter of the owner of Luzhniki, Olga Aleshina.

Reasons for the gap: Alyosha began to blow Stashevsky in the ear that it was better to work without Aizenshpis, she would be the producer and all the money would go to the family.

Aizenshpis tried to stay cheerful:

“My “divorce” with Vlad is the first major one in our show business, which was tactful and peaceful. Without mutual claims, name-calling and boycotts. First time two famous person, producer and artist, have publicly announced that they will cease their collaboration from now on. We did it in the Intermedia office, where we signed a statement for the mass media about the end of the five-year contract and about satisfaction with the results. joint activities. As confirmation of this amazing fact I gave such indisputable evidence of the success of the project as the release of five albums, one hundred songs, seventeen clips and five diplomas of “Songs of the Year” in five years.

It's good that Vlad managed to return to normal life without any pushes "a la Zhenya Osin".

SASHA (1999-2000)

Collaboration: From a really bright singer, Aizenshpis tried to mold the Russian Madonna (meaning an earthly star, not a heavenly one). The situation was facilitated by the fact that Sasha did not come alone, but with a budget. Pretty soon, songs like "It's just rain" flooded the airwaves.

Reasons for the gap: The philanthropist, who gave money for Sasha, put her to bed, and then began to be jealous, while being married. There were constant troubles.

Aizenshpis recalled:

“On the basis of scandals, there was a constant mess with the ethers. Everything has already been paid for, suddenly at the last moment a call: “Cancel everything!”. I cancel with losses, it’s good that I saved at least some of the money. And suddenly the call came again: “Bring everything back!” And try to explain to him that this is not done!

Investor Aizenshpis fired, and Sasha tried to block the way to the stage.

NIKITA (1999-2000)

Collaboration: Like "Technology", Nikita came to Aizenshpis with ready-made material and at first did not impress. But after looking more closely, the producer decided to invest in the boy. The songs “Fly away forever”, “You descended from the sky”, the scandalous clip “Hotel”, with the strictest account, will go down in the history of the Russian music industry.

Unfortunately, Nikita thought of himself as an independent creative unit, and so it probably was, but at the same time, he clearly underestimated the contribution of Yuri Shmilyevich.

Reasons for the gap: They were voiced by Aizenshpis.

“Our relationship was constantly confronted. It would seem, well, what's the big deal, you're lucky, you work with a major producer, you get good money, an excellent prospect. But no, on all issues there is a point of view, fantastic self-confidence and peremptoryness and, as a result, constant conflicts.

After two years with a penny, Aizenshpis and Nikita broke up.

“When I started working alone, in the early days I just wanted to hang myself. When I collaborated with Aizenshpis, I did not think about anything other than performances. And now I have to solve all the issues alone - from organizing tours to choosing concert costumes ... "

Aizenshpis no longer wanted to contact Nikita. As a result, the promising singer rolled down to an artist of the level of clubs in the sleeping areas of Moscow.

The latest projects of Aizenshpis, the Dynamite group and Dima Bilan, were successful.

Although by the time Yuri Shmilyevich passed away, Dynamite was in crisis, since Leonid Nerushenko, expelled from the group, died. As for Bilan, he fell into a lawsuit with the widow of Aizenshpis, as soon as the producer's corpse had time to cool down.

These are the results professional activity non-trivial, tough and very talented person.

Unknown to Soviet citizens foreign word"producer" was first introduced into the lexicon by Yuri Aizenshpis. Before him, people involved in the organization of concert activities were usually called administrators, impresario or concert directors. Aizenshpis' innovation affected not only the formal name, but the very essence of the activity. In addition to organizing tours and solving purely domestic issues on trips, he invested his own money in the artist, in his advertising and promotion, and in return, by “promoting” him, he made a profit.

Yuri Aizenshpis was a businessman to the core and raised the domestic music industry to new level. The pioneer of domestic show business was barely 20 years old when he tried to put into practice his ideas about the profession of a producer. He took the Moscow rock band Sokol under his wing. It was 1965 outside. In the country of the Soviets, performers like Valery Obodzinsky were considered an extreme manifestation of the musical avant-garde. Officially recognized music was represented by the immortal Iosif Kobzon, Lyudmila Zykina and someone else like that.

The era of domestic vocal and instrumental ensembles has not yet begun, and Yuri Aizenshpis has already begun to operate with the phrase “rock group”, which is absolutely incomprehensible to the ordinary Soviet ear, taken from the Western music industry. The very first producer Soviet Union got acquainted with modern music from vinyl records, which he successfully sold.

His parents are veterans of the Great Patriotic War, could not imagine that their son from a young age would become an asocial element in the USSR and spend 17 years in prison for long years. His father is a Jew with Spanish roots, whose ancestors moved to Poland. In 1939, with the flow of Polish refugees fleeing the advance of the Nazi troops, he ended up in his new homeland, which he had to defend with a rifle in his hands. Mom - a native of Belarus, 3 years partisan in the forests.

Yuri Aizenshpis was born in 1945 in Chelyabinsk. Parents moved to the capital, where they lived very modestly - in an ordinary barracks. Only in 1961 they moved to the "Khrushchev" near the metro station "Sokol". Aizenshpis went to study at the Moscow Institute of Economics and Statistics. He had to study economics not only in the classrooms of the higher educational institution, but also on the street, where he "pushed" the Beatles and Rolling Stones discs to connoisseurs of rock music.

The fartsovschik himself turned into a frenetic music lover, having collected a rare collection of albums by Western rock musicians. After the records came the turn of fashionable imported clothes, scarce fur products and musical equipment. Gradually, Aizenshpis had a network of customers and suppliers in his hands. He made connections with foreigners. Among his acquaintances were ambassadors of foreign countries and their children. As a student, he no longer lived in poverty, as in childhood. Everywhere and always since then, he has managed to provide himself with a standard of living well above the average face value. Then he tried to earn money by producing a musical group, but he had to continue his first experience almost after 2 decades.

Upon graduation, Yuri Aizenshpis got a job as an economist at the Central Statistical Office. The work did not bother him much. Underground business reached giant size. Yuri Aizenshpis switched to foreign currency and gold. The turnover of illegal operations almost equaled the budget of the institution where he was an employee. Numerous agents of an ordinary economist bought currency from Moscow taxi drivers and prostitutes. In those days, Vneshtorgbank was already officially trading in gold bars.

The ubiquitous KGB dealt with "foreign currency" in the USSR. In 1970, Aizenshpis was quite expectedly arrested. During a search of his apartment, they found $ 17,000 and 10,000 "wooden" rubles - gigantic sums of money at that time. The underground millionaire was sentenced to 10 years in prison. Being a "huckster" according to the thieves' classification, Aizenshpis, however, did not live in poverty in the "zone". Records and currency were replaced by tea, cigarettes and alcohol. A born businessman did not waste time in the colony. After 7 years, he will be released on parole. He will return to Moscow, but literally in a few weeks he will again be in a pre-trial detention center and all under the same “currency” article. This time, during the search, $50,000 will be found, but all the bills will turn out to be counterfeit.

Again 10 years of captivity. In April 1988, having gone beyond the "ban", Yuri Aizenshpis will find himself in a completely new world. He saw that he was very unlucky in life. He got two convictions for nothing. In the future, he will achieve his full justification. It will not be possible to return only a unique collection of "vinyl". The speculation persecuted in the socialist state will receive a different interpretation - ordinary business, market economy. Aizenshpis had no interest in resuming trading operations with currency or other goods. Age is not the same, and health was greatly undermined by prison. He got a bunch of chronic diseases - diabetes, cirrhosis of the liver. In prison, he had to recover from hepatitis 2 types.

Producer Yuri Aizenshpis

Yuri Aizenshpis decided to take up music seriously. Initially, the recidivist was sheltered by the creative association "Gallery", which worked under the wing of the city committee of the Komsomol. Yuri Aizenshpis has always been distinguished by high communication skills and an incredible ability to adapt in any conditions. It helped him in his work. Ideological Komsomol members felt the taste of money and were not averse to earning extra money on young talents. Aizenshpis quickly got up to speed in the music business and soon abandoned his patronage, starting to work for himself.

His first production project was the Kino group and its leader. Then he first called himself a producer. In 1990, Yuri Aizenshpis was the first in the USSR to fully pay own funds release of the Black Album of the Kino group. Before him, no one dared to do so. After Tsoi, he was engaged in rock groups "Technology", "Moral Code" and "Dynamite". Following the bands, it was the turn of solo performers - Vlad Stashevsky, Katya Lel, Dima Bilan and several others of a smaller caliber.

To finance the project of Stashevsky, Aizenshpis attracted Alexander Makushenko, whom he knew well from the years of imprisonment, whom he knew as Sasha Gypsy. Music in the hands of a businessman turned out to be an attractive tool for making money big money. In 2001, Aizenshpis became CEO the whole enterprise "Media Star". Everything would be fine, but my health was very disturbing. Yuri Aizenshpis was forced to adhere to a constant diet, regularly see doctors and constantly swallow a bunch of pills.

Yuri Aizenshpis - cause of death

In September 2005, he will start bleeding from the stomach. A perforated ulcer will be added to a huge bouquet of diseases. Doctors successfully eliminate a new problem, but the next day the patient dies of myocardial infarction. The first time a heart attack overtook him immediately after the second release from the "zone". He will be buried at the Domodedovo cemetery in the suburbs of Moscow.

The most successful projects of producer Aizenshpis are considered the first and last in a row. Viktor Tsoi is still considered a cult singer among rock fans, and Dmitry Bilan is the only Russian pop singer who won the most prestigious victory at Eurovision. The producer will not be able to wait for the success of the singer, which will come 2 days after his death.

After the death of the producer, Dima Bilan will become the target of an attack for civil spouse Aizenshpis Elena Kovrigina, who tried to substantiate in court her right to the artist's name brand, which, she believed, was wholly owned civil husband and claimed that the "star" did not fulfill some of the terms of the contract. She failed to defend her rightness. Dima Bilan fell into the hands of another producer, Yana Rutkovskaya.

11 years after the funeral of Yuri Aizenshpis, his name will again appear in criminal reports. The police will arrest the son of the producer Mikhail, in whose things one and a half grams of cocaine will be found. Despite his demonstrated proclivity for crime, the son did not fully follow in his father's footsteps. Music was not for him.

Yuri Shmilevich Aizenshpis was born a month after the end of the Great Patriotic War in Chelyabinsk. At that time, the producer's mother was evacuated there. Yuri Shmilevich comes from an unusual family. The father's ancestors lived in Spain, but at the same time, Poland is indicated in Shmil Moiseevich's passport as the country of birth. Already in adulthood, the man fled to the USSR, fearing the reprisals of the Nazis.

Interestingly, the real name of Yuri's father is Shmul. An employee of the NKVD, filling out a passport, mixed it up. So it turned out Shmil Aizenshpis. The man went through the Second World War, visited Berlin. In this case, the soldier was never wounded. The mother of Yuri Shmilyevich's biography is no less interesting. Maria Mikhailovna was born in Belarus.

After the death of her parents, she was transferred to the upbringing of distant relatives. Due to the outbreak of the war, she did not have time to get a diploma in journalism. Maria Mikhailovna joined the partisan detachment, several times she almost fell into the hands of the Germans. In the post-war years, she was awarded medals and orders.

The acquaintance of Yuri's parents took place at the Belorussky railway station in 1944. After the end of the war, Maria Mikhailovna and Shmil Moiseevich ended up in the Main Directorate of Airfield Construction. At that time, the Aizenshpis family lived well. They had a TV set and a gramophone with big collection plates.

Until 1961, the producer's family lived in a wooden barracks, but then moved to an apartment located in the Moscow Sokol district. Yuri Shmilevich was a sports child, he attended a sports school. The producer was a fan of handball, volleyball and athletics. I had to retire from professional sports due to a leg injury.

Yuri took his first steps as an administrator already in his youth. In 1965, the man began to collaborate with the rock group Sokol. Despite the obvious craving for show business, Aizenshpis received an economic education at the Moscow Institute of Economics and Statistics.

Music and production

Producer career for Yuri Shmilevich began while studying at the institute. Collaboration with a rock band did not help to reach the desired heights. Then Aizenshpis went to jail for conducting illegal currency transactions. After leaving prison, the producer found himself in the perestroika world, which became the starting point for developing a career in show business.

Acquaintance with Alexander Lipnitsky allowed Aizenshpis to become the head of the Intershans festival. Gradually, the man studied the basics of backstage life, identified methods of influencing musicians, and later moved on to producing.

“Promoting an artist is the functional responsibility of a producer. And here any means are good. Through diplomacy, bribery, threats or blackmail,” Yuri Shmilyevich said.

This approach has been successful. From an ordinary producer, Aizenshpis quickly rose to the rank of show business shark. Yuri began to help performers who wanted to be on the big stage. Not everyone suited Aizenshpis. The producer, lighting the stars, chose artists who could "hook" the viewer. A prerequisite there was a repertoire. To promote musicians, Yuri Shmilyevich used the media and television.

In 1988, the Kino group fell into the hands of Aizenshpis. By this time, the musicians had already reached a certain level on their own, but a professional approach to promotion was required. Cooperation of two talented people- Yuri Shmilyevich and - gave fruit.

The fame of the producer and musician soared to unprecedented heights. Two years later, Viktor Tsoi dies. Aizenshpis takes a loan of 5 million rubles and releases the posthumous album of the musician "Black Album". The circulation of the disc exceeded 1 million copies. On this project, the producer earned 24 million.

Yuri Shmilevich's career developed rapidly. After Kino, another team followed - Technology. In fact, Aizenshpis promoted the group from scratch. Young musicians became popular. For some unknown reason, after a year of joint work, the paths of the producer and the wards diverge.

Already in 1992, Yuri Aizenshpis was recognized as the best producer in the country. A year after official recognition, he meets Svetlana Geiman, known under the pseudonym. They worked for several months, after which he took up the promotion of the singer.

For 6 years, Yuri Shmilevich collaborated with a famous singer in the 90s. Collaboration led to the recording of 5 albums. Aizenshpis increased Vlad's popularity and recognition at times. The musician was invited to major concerts and events in Russia and the USA.

IN track record Yuri Aizenshpis, there are such stars as Nikita, the Dynamite group. The main achievement in the work of the producer was. Under the leadership of Yuri Shmilevich, they learned about the artist in Russia.

Aizenshpis described the bright moments of life and work in books. The producer published "Lighting the Stars. Notes and advice from a show business pioneer”, “From a black marketer to a producer. Business people in the USSR” and “Viktor Tsoi and others. How the stars light up. In memory of the producer, a program was broadcast on the TVC channel called Wild Money.

Personal life

Rumors constantly circulated around Aizenshpis. In show business, they said that the producer brought the so-called "blue lobby" to the work. Formerly a man they brought women for promotion, later lovers of politicians and businessmen began to appear. More than once, Yuri Shmilyevich and the wards of the producer were called gays, but no official confirmation of the men's orientation was found.

“A term in prison could have influenced Aizenshpis’s orientation,” the ex-husband suggested.

Numerous rumors did not prevent Yuri Shmilyevich from living in a civil marriage with Elena Lvovna Kovrigina.

After the death of Aizenshpis, she quickly arranged her personal life by marrying director Leonid Goiningen-Hühne. Yuri and Elena had a son, Mikhail. In 2014, a young man came to the police in connection with the use of narcotic substances. During the search, 1.5 grams of cocaine were found on Mikhail.

Death

Imprisonment had a negative impact on the health of the producer. For a long time Yuri Aizenshpis hid what he has serious problems. Officially, the cause of death is myocardial infarction, but a number of diagnoses led to this, including cirrhosis of the liver, gastrointestinal bleeding, hepatitis B and C. The information that Yuri Shmilyevich had AIDS, which led to death, is not documented.

Three days before his death, Aizenshpis felt unwell. The doctors decided to hospitalize the producer. After the manipulations, the condition improved, so Yuri Shmilevich persuaded the doctors to let him out of the hospital. The producer wanted to see Dima Bilan receive the prestigious MTV-2005 music award.

Before the ceremony, the producer did not live two days. Aizenshpis's life was cut short in the 61st year. The funeral took place at the Domodedovo cemetery. The farewell ceremony was attended by artists, composers and other show business figures. Numerous photos of the mourning Dima Bilan have circled the Internet. The grave of the producer is located next to the parent.

Popular Artist Dima Bilan now has no right to go on stage and release albums. On March 29, at a press conference in RIA Novosti, she spoke about this Elena Kovrigina, producer's widow Yuri Aizenshpis.

ON THIS TOPIC

At the beginning of the press conference, Elena Kovrigina announced that on the tenth day after the death of Yuri Aizenshpis, she turned to lawyer Pavel Astakhov with a request to prepare all the documents so that the producer's son Misha Aizenshpis entered into the right of inheritance. Kovrigina was worried that her son's rights would not be infringed.

The point is that at the beginning creative activity Victor Belan (Dima Bilan) signed a contract with producer Yuri Aizenshpis stating that the brand, image and repertoire of the artist "Dima Bilan" belong to Aizenshpis' production center "StarPro". The contract also stated that if Dima Bilan breaks off relations with StarPro, then he is not eligible to perform for the next ten years. According to the Civil Code, after the death of Yuri Aizenshpis, the StarPro company became the property of the son of producer Misha Aizenshpis.

Pavel Astakhov showed documents to journalists, confirming that the rights to the brand, image, and repertoire of Dima Bilan by right of direct inheritance belong to 15-year-old Misha Aizenshpis. And until the child reaches the age of majority, his mother and guardian Elena Kovrigina will manage the son's property.

According to Elena Kovrigina, she is not interested in show business and she is not going to be engaged in artist Dima Bilan. She signed an agreement with the Soyuzconcert company, to which the rights related to the Dima Bilan project are transferred. Representatives of the Soyuzkontsert company present at the press conference, in turn, said that it is theoretically possible that they will transfer the Dima Bilan project to one of the Western companies. Recall that the dispute over the rights to use the stage name of the singer broke out in September 2005 after the death of Aizenshpis. “Then Bilan disappeared from our field of vision and showed up with new owners. He left the company, believing that the death of Aizenshpis relieves him of all contracts. But he has no right to just turn around and leave, because we are talking about legally unresolved issues. This is business and nothing more, "Elena Kovrigina said at a press conference. In the fall of 2005, Elena Kovrigina negotiated with the new producer of Dima Bilan, Yana Rudkovskaya. It was about two million dollars, which, according to Kovrigina, Yuri Aizenshpis invested in Dima Bilan and equipment of his studio. Elena offered the new producers to reimburse the StarPro center for these costs. But the negotiations then suddenly stopped. There were no payments from Dima Bilan. The singer continued to perform, while not responding to phone calls, and only once came home to Kovrigina and brought a pack of chips and a can of Coca-Cola for Misha. Elena also said that Dima Bilan is still registered in the apartment, which belonged to Yuri Aizenshpis.

By the way, Dima Bilan's performance at the Eurovision Song Contest, like any other singer's performances after the death of Aizenshpis, can also be interpreted as a violation of the law.

Elena Kovrigina explained her almost two-year silence by the fact that even in negotiations with a representative of the new producers and Dima Bilan, she promised not to make a fuss about this issue. And then she was preparing everyone required documents. Whether penalties for non-compliance with contracts will be applied to Dima Bilan, neither Elena Kovrigina nor Pavel Astakhov reported.

Yuri Shmilevich became famous while working with the legendary rock band "Kino". Thanks to Aizenshpis, the Russians got acquainted with the work of many talented people who still release hits and collect halls to this day. He was called the "godfather" of Russian show business.

1. Aizenshpis's parents are Jews. Maria Mikhailovna is a native Muscovite. Father, Shmil Moiseevich Aizenshpis, a Polish Jew, fled from Poland to the USSR, fleeing the Nazis, a veteran of the Great Patriotic War.

Little Yura with his parents

2. In his youth, Yuri Shmilevich was seriously fond of sports - volleyball, handball and athletics. However, at the age of 16 he suffered a serious leg injury and was forced to quit the sport.

3. At the age of 16, he already arranged semi-underground concerts of the first Soviet rockers, and then became the administrator of the Sokol group, with which he even got a job at the Tula Philharmonic. Since the musicians toured a lot, Aizenshpis' monthly income reached 1,500 rubles (Soviet ministers then received only a thousand).

4. Yuri Aizenshpis has by no means a musical education. In 1968 he graduated from the Moscow Institute of Economics and Statistics with a degree in economic engineering.

5. In 1968, 23-year-old Aizenshpis quit the Philharmonic and went to work as a junior researcher at the Central Statistical Office of the USSR with a salary of 115 rubles. But at the workplace, the "major", smelling of French perfume, was rarely shown. His main income was currency fraud, as well as buying and selling gold. Every evening he was in contact with a large number of people - taxi drivers, prostitutes, waiters and even diplomats (for example, the son of the Indian ambassador). "The volume of transactions that I made," Aizenshpis said, "reached a million dollars." The underground millionaire was then only 25 years old.

Trial of money changers in the USSR

6. In 1970, Aizenshpis was arrested for money fraud and spent in "places not so remote" in total almost 18 years old. Some of them are in the settlement. For all the years of his imprisonment, he did not make a single tattoo.

Photo from the book “Lighting the Stars. Notes and advice of the pioneer of show business»

7. In the Krasnoyarsk-27 zone, he launched a lively speculation in tea, sugar and vodka. Then he began to occupy leadership positions at local "construction sites of the century." Once in a colony-settlement, he fled from there to Pechory and, having charmed a local intellectual, began to live with her. He was exposed by a guest at home - a police colonel, but amazing luck and knowledge of psychology rescued Aizenshpis. He was transferred to another colony to a lukewarm position as a rationing officer. And already in the second term, Aizenshpis received a number of patents for his rationalization proposals and even a diploma from the Minister of Internal Affairs of Mordovia.

8. From December 1989 until the death of Viktor Tsoi in 1990, he was the director and producer of the Kino group. He was one of the first to break the state monopoly on the release of records, releasing the Black Album in 1990 with money taken on credit.

Musicians of the Kino group and Aizenshpis at the presentation of the Black Album. Source: wikimedia.org / by New Look Media Team

Viktor Tsoi and Yuri Aizenshpis

9. Yuri Shmilevich was the producer of such famous musical groups like "Technology", "Code of Morality" and "Dynamite". Thanks to him, the Russians recognized Linda, Vlad Stashevsky, Katya Lel, Nikita and pop singer Sasha.

Yuri Aizenshpis with members of the Dynamite group

Vlad Stashevsky and Yuri Aizenshpis

10. It is believed that it was Aizenshpis who brought the "blue lobby" to the Russian show business. Allegedly, at first, the cool ones brought their mistresses to the producer for the promotion, and then they began to bring lovers. "A term in prison could have influenced Aizenshpis's orientation," says Alexander Stefanovich, ex-husband Alla Pugacheva.

11. Singer Dima Bilan, who conquered Eurovision, is the last and, probably, the most successful project of producer Aizenshpis.

With Dima Bilan

12. Was in civil marriage with Elena Kovrigina. In 1993, the couple had a son, Mikhail. After the death of Yuri, Elena married the editor of a television program on the TNT channel, Leonid Gyune.

With wife Lena and son Misha

Yuri Shmilevich with his son Misha

13. Aizenshpis spoke rather dismissively about his own income, saying that he earns exactly as much as he needs to provide for his family and pay for telephone calls. True, in return for the stolen Volvo, he nevertheless acquired two other cars - a Pontiac Bonneville and a Ford Explorer.

14. Yuri Aizenshpis died on September 20, 2005 from a myocardial infarction. He was buried near Moscow next to his parents at the Domodedovo cemetery.