Analysis “Being famous is ugly...” Pasternak. Analysis of the poem “Being Famous is Ugly” by Pasternak

For an artist, the surrounding life is not only a source of inspiration and a subject of aesthetic interest. It is illuminated by his moral feeling, and she herself, in turn, conquering the artist, generates and strengthens this feeling in him. For Pasternak, the artist was always a “hostage”, but also a “debtor”, devoted to art to the end. The awareness of the specialness and chosenness of the poet’s fate also distinguishes the late Pasternak. It is multiplied by life experience, deepened by analysis and therefore truly impressive. It emphasizes and puts forward the moral aspect - the idea of ​​​​the artist's responsibility to the whole world, to art itself and directly to people.

The deep organic nature of the theme of duty and service is confirmed in Pasternak by the variety of options for its expression. It appears in the logic of cultural, historical and evangelical comparisons - in the poem “Hamlet”. Or it suddenly appears, on the crest of a free and broad lyrical wave, in “Earth.” Or - rather unusually - it acquired a melting character almost like a maxim in the poem “Being famous is ugly.”

The poem “Being Famous is Ugly” was written by a recognized master during the period of his “last songs.” It conveys the poet’s internal perception of his role, the very essence of his existence on earth.

Late Pasternak is academic. He spends sparingly artistic media, which are in his arsenal, but this does not make his poems drier, but only emphasizes the skill of the poet, faithful to his image of the world, different from what Soviet literature offered:

Being famous is not nice.

This is not what lifts you up.

No need to create an archive,

Shake over manuscripts.

In this poem, Pasternak contrasts his creative path the path of Vladimir Mayakovsky, immoderately glorified after Stalin declared him “the best poet of our time.” Well, the leader needed a “court” poet who would carry the ideological guidelines of modernity to the masses, and by the will of fate, his choice fell on the famous futurist. But Pasternak was disgusted by the fate of the “famous” that befell Mayakovsky; he could not imagine life outside of secrecy and invisibility, and he always separated true poetry from near-literary vanity.

Let us note for now: it is contraindicated for a poet, as Pasternak believed, to be famous, to “keep archives”; success is detrimental to his talent

and hype. In addition, the public's love is fleeting, sometimes unfair, and often subject to fashion. The poet, of course, creates for people; this is precisely the essential meaning of any creative act. But precisely, for and in the name of the people, and not for the sake of their enthusiastic assessments, and especially not for the purpose of pleasing the tastes of those in power. Pasternak treats fame as a worldly vanity; his art is akin to the mercy of the celestials who give people benefits without demanding anything in return. The poet experiences joy from creativity itself. It is his element and way of existence. He cannot help but compose; for him it means to live, pouring out his soul in sounds, filling the world with beauty.

The poet formulates the maxim: “The goal of creativity is dedication.” In the first place for Pasternak is the highest receptivity, responsiveness to moral impressions, and not the transformation of life into the life of a poet. Actually, in Pasternak’s later poems, with their lofty, preaching assertion of duty, a decisive activation of the “I” is visible, no longer so much an eyewitness to the world process, but rather its direct accomplice. And in the poem “Being Famous is Ugly,” this activation is taken to the limit. In the subtext of the poem there is the same desire for unity characteristic of Pasternak, but, being complicated by a feeling of incomprehension, the subjective moment in the poem is obvious - it expresses itself not directly, but indirectly, through conflict. All this introduces new accents into the artist’s philosophical and aesthetic concept, but does not destroy its foundation - the affirmation of unity with the world as a life-giving and morally formative principle.

In general, the poem requires thoughtful reading in the context of all of Pasternak’s lyrics, its thematic features, philosophical orientation, and specific features. How dangerous it is to draw conclusions regarding the works of a great poet, how difficult it is to penetrate into his artistic world, is evidenced by Mandelstam’s arrogantly expressed opinion, according to which “It’s not beautiful to be famous” “sounds like an official report.” Mandelstam was wrong: what the poem does not have is “officiality”; rather, it creates the impression of a teaching message, but confidential, sincere, honest, like an intimate conversation between good friends.

Pasternak's signs attract attention colloquial speech: “to shake over manuscripts”, “to be a byword on everyone’s lips”, “in the end”, “out of sight”, “an inch away”. The poet uses phraseological units and colloquial expressions, which impart special expressiveness to speech with a small volume of words and convey conversational intonation.

There is another important aspect of interpreting the poem. Although the exceptional eight verses cannot be assigned to any specific place Holy Scripture, it should be noted that they, like the entire text, consist of biblical words. “It’s Ugly to Be Famous” is focused in content and poetics on the evangelical apostolic epistles. Pasternak, a deeply religious man, but trapped in the atheistic Russian literature of the Soviet period, nevertheless remains true to his moral principles and religious convictions and formulates those moral laws and ethical dogmas without which a true artist cannot imagine the life.

Boris Leonidovich Pasternak - poet-philosopher, thoughtful artist, peering interestedly into surrounding life. The inquisitive mind of the poet wants to penetrate into the very essence of things, understand them and tell the world about his discoveries. In essence, the poet sums up his work with the poem “Being Famous is Ugly.” But summing up does not mean putting an end to it. The last book lyricism is not the end of Pasternak’s poetry, always looking to the future, tuned to the perception of its call:

Others on the trail

They will pass your path by an inch,

But defeat comes from victory

You don't have to differentiate yourself.

A true artist is always a pioneer. Others will follow him, perhaps without even remembering whose footsteps they are following. But can this have any significance for a poet who devotes himself entirely to creativity, without reserve, and in his self-giving is likened to Jesus Christ, performing the feat of the cross? Living like this is hard, sometimes unbearable, but such is the fate of a poet. Only then is a masterpiece of art born when the human soul is alive, when it is open to the world and people:

And should not a single slice

Don't give up on your face

But to be alive, alive and only,

Alive and only until the end.

This is how Pasternak’s poem ends, and his final book of lyrics is imbued with the same sentiments. This is his last - no, constant, everlasting and forever living - poetic word.

Which attracts attention with the extraordinary brightness of her talent. Many people are interested in his poems intellectual minds and are extremely popular. Many lines of his immortal creations have long become quotations. The analysis of the poem “It’s Ugly to Be Famous,” given in this article, will be of interest not only to literary scholars, but also to everyone who is interested in

The state of the lyrical hero

He is very tense, but confident that he is right. Pasternak's lyrical hero seeks the truth in this world and comes to certain conclusions only thanks to his own experience. A true creator is always a pioneer. He creates something that will later serve as a road a large number people, will lead them to a new understanding of truth and the world around them.

The lyrical hero does not rush around, is not lost in conjectures, he is completely calm and confident. Of course, it took him quite a long time to go all the way from start to finish and come to the point of becoming an artist. The fate of anyone creative person associated with torment, eternal spiritual search, service to art.

Let's try to analyze. “It’s not beautiful to be famous” (Pasternak’s poem) is intended to show the soul of the poet with his conflicting feelings. Like any creator, he is constantly in search of his place in the world. This is what Pasternak tells readers.

“Being famous is ugly”: analysis

In this lyrical work, the author touches on several topics related to the creative process and human existence generally. Success and fame, in his opinion, are temporary. It is unacceptable to set these components as a goal, otherwise real creativity will fade and turn into simple making money. An artist must not cultivate greed and self-interest; he must be sincere and truthful.

If a simple man in the street can be forgiven for having a certain inclination towards profit, then for a poet such a “hobby” can turn out to be detrimental. Any creative person has a very vulnerable soul. Lies and deception destroy it, deprive it of a sense of self-sufficiency and peace. What conclusions does the analysis allow us to draw?

“It’s not nice to be famous” emphasizes the great role of the poet in public life, determines its place in the universe. The artist always paves the way to the future, he does not live in the present, and therefore is never satisfied, completely satisfied. This the main idea, which Pasternak emphasizes in the poem “Being famous is ugly.” Analysis of this lyrical work aimed at revealing the essence of creativity.

Why does the poet live?

The purpose of a word artist is different from that of most people. Any creative person has the ability to feel and perceive things that a simple layman would simply not pay attention to. The Creator is always sensitive to what is happening; for him there are no unnecessary trifles. A poet should not constantly be concerned with overly ordinary things, otherwise he will lose himself. He needs more time to be alone with his own infinite essence and realize the significance of everything that happens. Otherwise, any artist is doomed to countless torments and suffering.

Truth is of the highest value to him. For the sake of truth, he is ready to endure temporary hardships and go towards his goal. Freedom represents the poet's guide. There is no way to do without it. Only by remaining free can a poet create and move forward to new achievements. The analysis of “Being famous is ugly” shows how difficult and unusual a creative person is.

The poet's aspirations

All artists are designed in such a way that they necessarily see the meaning of their lives in serving the will of the Almighty as much as possible. Such a person, more than anyone else, is connected with his inner essence, so he has well-developed intuition. The lyrical hero considers dedication to be the goal of creativity. He talks about how important it is to stay alive until your last breath.

It is important to live this life with dignity, without adapting to circumstances and without trying to play some role. You need to remain yourself and go all the way to your own achievements. Only then will a person be truly happy. The analysis “Being famous is ugly” demonstrates the task of any artist on earth - to seek the truth in everything and live according to the laws of conscience.

Instead of a conclusion

Thus, the meaning of the poet’s stay on earth is not to preserve himself as long as possible, but to properly and profitably spend his internal creative forces. The potential inherent in an artist can serve for the benefit of other people and show them the right path. Pasternak’s “It’s Ugly to Be Famous” shows the depth of feelings and experiences of a true creator who always lives on the edge of his capabilities and is surrounded by contradictions.

The poem “Being Famous is Ugly” is his programmatic work: in it the author expresses his thoughts about what a creative person should be and describes his views on literary creativity. Using brief analysis“Being famous is ugly,” according to the plan for a literature lesson in the 9th grade, you can easily and clearly explain to schoolchildren the essence of these views.

Brief Analysis

History of creation- written in 1956, it was included in the poetry collection “When it clears up,” along with other works written by Pasternak over three fruitful years.

Theme of the poem- the essence of creativity and the poet’s code of life.

Composition– the work can be divided into three thematic parts. In the first, the poet argues that the creator should not strive for public recognition; this is not the goal of creativity. The second part reveals an opinion on exactly how a poet should live, and in the last, final part of the composition, Pasternak says that following the code of life will ultimately lead a creative person to literary immortality.

Genre- philosophical lyrics.

Poetic size– complex, Boris Pasternak uses transitions from one size to another according to the pattern spondee - pyrrhic - pyrrhic - iambic.

Metaphors – “leave gaps in fate“, “be the talk of the town“,

Epithets- "and whole life“, “living trace“, “in one piece“.

Comparisons – “how the area hides in the fog“.

Antithesis – “ defeat - victory“.

History of creation

The poem “It’s not beautiful to be famous” was written after a whole series of events in the poet’s life - he was recognized, he became a member of the Writers’ Union, the “leader of nations” died, but the general literary fuss worried him less and less, Pasternak was mainly engaged in translations. At the same time, he thought a lot about the essence of creativity, the result of these thoughts was the hard-won truth, clothed in poetic form in 1956.

There is a hypothesis related to the history of creation that with this work, which can be called programmatic without exaggeration, Boris Pasternak demonstrated his rejection of the creative choice of Vladimir Mayakovsky, who at that time was considered the best poet of our time and an almost inviolable personality.

The poet included the poem in his collection “When it clears up,” which was filled with more than forty poems in the period from 1956 to 1958.

Subject

The general theme is the essence of creativity and the path of a creative person, his purpose, but Pasternak also reflects on death and life, on fate, on the goals of creativity in the broadest sense.

Composition

The compositional structure of the verse is quite simple - it is three-part. In the first part, the poet seems to pour a tub of ice water, speaking about creators who are the talk of everyone’s lips, without meaning anything.

The second part is a reflection on what a person should be like. engaged in creativity - Pasternak sees him as a person living without impostor, but for the sake of eternity. He must leave his life behind the scenes, showing only the result of his creativity, and not his personality.

And the third part is instructions to other poets on what needs to be done in order to remain in eternity, and not gain only momentary fame. According to Pasternak, for this it is necessary to be alive until the very end. At the same time, his instructions cannot be taken as arrogant moral teachings - the poet himself always followed the commandments that are set out in “Being Famous is Ugly.”

The main motive of the work is knowledge and search for oneself.

Genre

This philosophical work, Pasternak’s message to his contemporaries and descendants, his teaching, where the poet himself acts as a mentor. He shows others the path that he himself considers true - not to recognition by his contemporaries, but to something distant and eternal. Pasternak uses complex transitions from one meter to another, spondee is replaced by pyrrhic, and tom, in turn, by iambic. This allows him to express his thoughts quite freely without feeling constrained by the form. The rhyme is the same in each case - cross.

Means of expression

Pasternak mainly uses verbs to convey movement, the poem abounds participial phrases- all this makes him very energetic. At the same time, the poet does not abandon classical means of expression, such as:

• Metaphors– “to leave gaps in fate”, “to be a byword on everyone’s lips”,
• Epithets- “a whole life”, “a living trace”, “a single slice”.
• Comparisons- “how the area hides in the fog.”
• Antithesis– “defeat is victory.”

All means of expression used as harmoniously as possible - they work to reveal the general idea. Pasternak created a work that is an ideal combination of content and form.

"It's not nice to be famous"

In the third stanza of the poem B.L. Pasternak emphasizes the special position of the creative person in time and space. At the same time, he formulates another principle, important and necessary for a human creator: “Hear the call of the future.” Only then will the poet be able to become interesting not only to his contemporary, but also to his descendants. However, in this stanza there is also a certain mystical motive of the sacrament; the artist needs to “attract the love of space to himself.” In fact, the motive will remain unclear until the end. The “love of space” metaphor, which is quite deep in its philosophical content, can symbolize good luck, a muse that brought creative insight, and favorable life circumstances (interesting meetings with people, nature). But still, the point here is not that he should realize his place in the world.

Being a poet-philosopher, B.L. Pasternak encourages learning from nature. His lyrical hero is able, without fear of the future, to “plunge into the unknown,” just as the area hides in fog.

BL. Pasternak writes about the need for talented person do not revel in victories, but maintain personal modesty in relation to your successes. After all, the main thing is to lead other people, who will decide who in history will receive glory and who will be forgotten. B.L. Pasternak, by personal example, teaches not to prevaricate, not to become isolated in your experiences, to maintain a keen interest in the world around you, to love life until the very last hour. The theme of the purpose of the poet and poetry is deeply embedded in the Russian classical poetic tradition.

In this regard, the poem by B.L. Pasternak’s “Being Famous is Ugly” creatively continues it. The poem is written in iambic tetrameter. All seven stanzas of it are connected by cross rhyme, while female and male rhymes alternate. The poem makes extensive use of figurative and expressive means of language: phraseological units (“a parable on everyone’s lips”, “a span of five”), antithesis (“it’s time to marry” - “victory”), as well as the technique of emphasizing the vertical coordinates of artistic space (“lifts up”, “plunge into the unknown”), this compositional technique goes back to Tyutchev’s poetic tradition and is characteristic of meditative lyrics in general. The main epithet is the epithet “alive”, reinforced in the final stanza by a threefold repetition. So obviously B.L. Pasternak sees the meaning of life in life itself, in living it honestly and openly. It is no coincidence that the words “should”, “must”, “must not” appear so often in the poem.

Don't sleep, don't sleep, artist,
Don't give in to sleep.
You- eternity hostage
Trapped by time.
B. Pasternak

Boris Leonidovich Pasternak is a poet-philosopher, a thoughtful artist who peers with interest at the life around him. The inquisitive mind of the poet wants to penetrate into the very essence of things, understand them and tell the world about his discoveries.
Late Pasternak is academic. He uses the artistic means that are in his arsenal sparingly, but this does not make his poems drier, but only emphasizes the artist’s skill. The poem “Being Famous is Ugly” was written by a recognized master during the period of his “last songs.” It conveys the poet’s internal perception of his role and essence on earth.

Being famous is not nice.
This is not what lifts you up.
There is no need to create an archive.
Shake over manuscripts.

Indeed, human love is fleeting, unfair, subject to fashion. But the poet is above the crowd. He creates for people, without listening to their admiration and blasphemy.

The purpose of creativity- dedication,
Not hype, not success.
Shameful, meaningless
Howl is a proverb on everyone's lips.

Pasternak treats fame as a worldly vanity; his art is akin to celestial beings who give people benefits without demanding anything in return. He experiences joy from creativity itself. It is his element and way of existence. A poet cannot help but compose; for him it means to live, pouring out his soul in sounds, filling the world with beauty.
A true artist is always a pioneer. Others will follow him, maybe not even remembering whose footsteps they are following, but it will be easier for them, and that’s the main thing.

Others on the trail
They will follow your path within an inch.
But amazed by the victory
You don't have to differentiate yourself.

Only then is a masterpiece of art born when the human soul is alive, when it is open to the world and people. Living like this is hard, sometimes unbearable, but such is the fate of a poet. If an artist begins to take care of himself, to save his strength, his creativity ends, and the remaining skill will not bear new fruit.
In this poem, Boris Pasternak uses phraseological units: “To be a byword on everyone’s lips” and “Not to be seen in sight.” They give special expressiveness to speech with a small volume of words. The repetition of the word “alive” in the last quatrain indicates great importance, which the author gives this epithet.

And should not a single slice
Don't give up on your face
But to be alive, alive and only,
Alive and only until the end.

In just a few quatrains, Boris Leonidovich Pasternak’s poem makes you take a fresh look at creativity. This is not a way of making money, not work - this is an image of the poet’s life, which he cannot refuse while he is alive.

Tasks and tests on the topic “Artistic analysis of the poem “It’s not beautiful to be famous””

• The basis of the word. Analysis of words by composition. Analysis of the word composition model and selection of words according to these models - Word composition 3rd grade

  Lessons: 1 Assignments: 9 Tests: 1

• Basic principles of Russian punctuation - Basic concepts of syntax and punctuation grade 11