Analyze the composition of A. Pushkin's poem “Winter Road. Nature in the verses of A. S. Pushkin: analysis of the poem "Winter Road"

"Winter road" analysis of the work - theme, idea, genre, plot, composition, characters, problems and other issues are disclosed in this article.

Alexander Sergeevich Pushkin was always good at expressing his mood through pictures of nature. A prime example that's what a poem is for "Winter road " written in December 1826. Only a year has passed since the uprising of the Decembrists, among whom were many of the poet's friends. Some have already been executed, others have been exiled to Siberia. Pushkin himself was serving an exile in Mikhailovsky, so his mood remained depressed.

Already from the first lines of the work, it becomes clear to the reader that the author is going through not the best moments in his life. Life seems to the hero dull and hopeless, like lonely clearings in the cold light of the moon, through which a carriage drawn by three horses rides. The way to the wanderer seems long and boring, and the monotonous sound of the bell is tiring. The gloomy landscape is in harmony with the feelings of the poet.

In the "Winter Road" there are traditional philosophical notes characteristic of Pushkin's lyrics. The mood of the hero is easily comparable with the mood of Alexander Sergeevich himself. poetic image "striped miles" - symbol of changing fate of a person, and the path of the hero of the work, like the path of the poet himself, is not at all easy. Nature sleeps in deep sleep, an ominous silence reigns everywhere. For many miles around there are no houses, no lights. But, despite the melancholic tone of the poem, there is still hope for the best. The hero dreams of how he will soon sit by the fireplace with his beloved woman. This gives him strength and desire to continue his dreary journey.

characteristic of romanticism Pushkin treats the theme of the path here in a completely different way. Usually the road symbolizes freedom, the hero breaks out into nature from a cramped and stuffy room. In the "Winter Road" everything happens the other way around. Nature is hostile to the hero, so he hurries home.

The work is written trochaic tetrameter. It is a description of nature with elements of the author's thoughts and belongs to the genre of elegy. The composition of the poem is circular. In the first quatrain, the reader is immersed in a winter landscape, and the last stanza returns him to the kingdom of winter again.

The author reveals his sad and despondent mood with the help of epithets: "sad", "monotonous", "boring". Reinforces the impression of inversion: "on the boring road", "single bell", "troika greyhound", "hour hand". The same-root words repeated several times characterize the mood of the author and the endlessly long winter road, emphasizing its monotony: "sad", "sadly", "boring", "boring", "boring".

In the third quatrain there are epithets expressing the attitude of Alexander Pushkin to the Russian song. In two adjacent lines, the reader encounters the opposite concepts of melancholy and daring fun, which help the author to hint at the inconsistency of the character of a Russian person: "the revelry is remote, then the heart's anguish".

In the fourth stanza, we seem to hear the clatter of horse hooves. This impression is created by repeating the consonants "p" and "t". In the fifth quatrain, Pushkin uses alliteration with the sound "z", which occurs in five words out of eleven. In this part of the poem, the word is repeated in two lines in a row "Tomorrow", reinforcing the feeling of anticipation of meeting with your loved one. In the sixth stanza, the sounds “h”, “s”, characteristic of the ticking of a clock, are often repeated.

The final seventh stanza repeats the motive of the fifth, but in a different interpretation. Word "path" used here in a figurative sense. The sounds "n", "l" in combination with the shock "y" again create a feeling of sadness, longing and an endlessly long road.

Most of the verbs in the "Winter Road" reveal the emotional experiences of the lyrical hero. Personifications give the landscape a special mysticism and mystery: the moon "sneaks" through the fog, the light pours sadly, the face of the moon "foggy".

The poem "Winter Road" was first published in 1828 in the journal "Moscow Bulletin". His musicality and stylistic beauty still attract the attention of composers to this day. More than fifty authors wrote the music for "Winter Road". Songs about a coachman and a greyhound troika have gained immense popularity, many of them have long become popular.

Through the wavy fogs The moon makes its way, On the sad glades She pours a sad light. Along the winter road, boring Troika greyhound runs, The monotonous bell Tiringly rattles. Something native is heard In the coachman's long songs: That daring revelry, That heartfelt anguish... Neither fire, nor black hut... Wilderness and snow... To meet me Only striped versts Are caught alone. Boring, sad... Tomorrow, Nina, Tomorrow, returning to my sweetheart, I'll forget myself by the fireplace, I'll look without looking enough. Loudly the hour hand Will make its measured circle, And, removing the annoying ones, Midnight will not separate us. It's sad, Nina: my path is boring, My coachman fell silent, The bell is monotonous, The moon's face is foggy.

The poem was written in December 1826, when Pushkin's friends, participants in the Decembrist uprising, were executed or exiled, and the poet himself was in exile in Mikhailovsky. Pushkin's biographers claim that the verse is written about the poet's trip to the Pskov governor for an inquiry.
The theme of the verse is much deeper than just the image of a winter road. The image of the road is an image of a person's life path. The world of winter nature is empty, but the road is not lost, but marked by versts:

No fire, no black hut ...
Wilderness and snow... Meet me
Only miles striped
Come across alone.

The path of the lyrical hero is not easy, but despite the sad mood, the work is full of hope for the best. Life is divided into black and white stripes, like milestones. The poetic image of “striped miles” is a poetic symbol that embodies the “striped” life of a person. The author shifts the reader's gaze from heaven to earth: “along the winter road”, “the troika runs”, “the bell ... rattles”, the coachman's songs. In the second and third stanzas, the author uses words of the same root (“Sad”, “sad”) twice, which help to understand the state of mind of the traveler. With the help of alliteration, the poet depicts the poetic image of the artistic space - sad glades. Reading a poem, we hear the ringing of a bell, the creak of skids in the snow, the song of a coachman. The long song of the coachman means long, long-sounding. Sedoku is sad, sad. And the reader is unhappy. The coachman's song embodies the basic state of the Russian soul: "reckless revelry", "heartfelt anguish". Drawing nature, Pushkin depicts inner world lyrical hero. Nature correlates with human experiences. In a small segment of the text, the poet uses the ellipsis four times - the poet wants to convey the sadness of the rider. There is something unsaid in these lines. Maybe a person traveling in a wagon does not want to share his sadness with anyone. Night landscape: black huts, wilderness, snow, striped milestones. All nature is cold and lonely. A friendly light in the window of the hut, which can shine on a lost traveler, does not burn. Black huts are without fire, but “black” is not only a color, but also evil, unpleasant moments of life. In the last stanza again sad, boring. The coachman fell silent, only a “monotonous” bell sounds. The technique of the ring composition is used: “the moon is sneaking” - “the moon face is foggy.” But the long road has a pleasant final goal - a meeting with your beloved:

Boring, sad ... Tomorrow, Nina,
Returning to my dear tomorrow,
I'll forget by the fireplace
I look without looking.

Few of the poets managed to harmoniously intertwine personal feelings and thoughts with descriptions of nature. If you read the verse “Winter Road” by Pushkin Alexander Sergeevich thoughtfully, you can understand that the dreary notes are connected not only with the author’s personal experiences.

The poem was written in 1826. A year has passed since the Decembrist uprising. Among the revolutionaries there were many friends of Alexander Sergeevich. Many of them were executed, some were exiled to the mines. Around this time, the poet wooed his distant relative, S.P. Pushkin, but is refused.

This lyrical work, which take place in the fourth grade literature lesson, can be called philosophical. Already from the first lines it is clear that the author is by no means in a rosy mood. Pushkin loved winter, but the road he has to travel now is bleak. The sad moon illuminates the sad glades with its dim light. The lyrical hero does not notice the charms of sleeping nature, the dead winter silence seems ominous to him. Nothing pleases him, the sound of the bell seems dull, in the driver's song one hears melancholy, consonant with the gloomy mood of the traveler.

Despite the sad motives, the text of Pushkin's poem "The Winter Road" cannot be called completely melancholic. According to the researchers of the poet's work, Nina, to whom the lyrical hero mentally addresses, is the chosen one of the heart of Alexander Sergeevich, Sofya Pushkin. Despite her refusal, the poet in love does not lose hope. After all, Sophia Pavlovna's refusal was connected only with the fear of a beggarly existence. The desire to see his beloved, to sit next to her by the fireplace gives the hero strength to continue his bleak journey. Passing "striped miles", reminding him of the volatility of fate, he hopes that soon his life will change for the better.

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Through the wavy mists
The moon is creeping
To sad glades
She pours a sad light.

On the winter road, boring
Troika greyhound runs
Single bell
Tiring noise.

Something is heard native
In the coachman's long songs:
That revelry is remote,
That heartache...

No fire, no black hut...
Wilderness and snow... Meet me
Only miles striped
Come across alone.

Boring, sad ... Tomorrow, Nina,
Tomorrow, returning to my dear,
I'll forget by the fireplace
I look without looking.

Sounding hour hand
He will make his measured circle,
And, removing the boring ones,
Midnight won't separate us.

It's sad, Nina: my path is boring,
Dremlya fell silent my coachman,
The bell is monotonous
Foggy moon face.

A. S. Pushkin's poem "The Winter Road" is one of the remarkable works of the Russian poet. When you read this poem, dull and at the same time mysterious Russian landscapes involuntarily appear. Sergei Yesenin is a famous and beloved Russian poet who praised beauty native land, its nature and vast expanses.

What brings the poem of S.A. Yesenin "Powder" with the following

poem by A.S. Pushkin's "Winter Road"

Poems by S.A. Yesenin and A.S. Pushkin is brought together primarily by the theme of the road, the image of the road.

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Analysis of the poem by A.S. Pushkin "Winter Road"

A. S. Pushkin's poem "The Winter Road" is one of the remarkable works of the Russian poet. When you read this poem, dull and at the same time mysterious Russian landscapes involuntarily appear. “The moon is making its way”, “she pours a sad light on the sad glades.” These words convey exactly the landscape that Pushkin sees as he passes by. He probably repeats the words “sad”, “sad” on purpose to increase sadness and despondency. In the poem "Winter Road", written in 1826, Pushkin's traditional lyrics sound road theme.

The poet even calls the road "boring", and the tiring sound of the bell only increases the author's sadness even more. Only the greyhound troika breaks the general natural despondency. Pushkin is alone with nature, winter, asleep until spring. The path of the lyrical hero, like the path of the poet himself, is not easy, but, despite the sad mood, the work is full of hope for the best. Life is divided into black and white stripes, like milestones. The poetic image of “striped miles” is a poetic symbol that embodies the “striped” life of a person. The author shifts the reader's gaze from heaven to earth: “along the winter road”, “the troika runs”, “the bell ... rattles”, the coachman's songs. In the second and third stanzas, the author uses words of the same root (“Sad”, “sad”) twice, which help to understand the state of mind of the traveler. With the help of alliteration, the poet depicts the poetic image of the artistic space - sad glades. Reading a poem, we hear the ringing of a bell, the creak of skids in the snow, the song of a coachman. The long song of the coachman means long. Sedoku is sad, sad. And the reader is unhappy. The coachman's song embodies the basic state of the Russian soul: "reckless revelry", "heartfelt anguish". Drawing nature, Pushkin depicts the inner world of the lyrical hero. Nature correlates with human experiences.

However, unlike poems romantic period, here it is interpreted differently. The romantic hero is an eternal wanderer, his whole life is on the road, on the road, and any stop means for him the loss of freedom. In romantic poetry, the theme of freedom is very closely connected with the theme of the road. Here, the theme of the road is connected not with the desire for freedom, but on the contrary - the hero strives home. The road here is associated with "wavy fogs", "sad clearings" and a "single" bell, and the road itself is called "boring".

The main thing that the poet wanted to convey is the sadness and boredom that awaits any traveler on a winter road. Nature sleeps, silence around, not a soul around, it even becomes a little creepy. After all, there are no houses around, no light that would indicate the presence of a person. Gloomy thoughts swarm in my head, it's cold. One joy is a reward at the end of the journey: gatherings by the fireplace with a person dear to the heart. This gives strength, the desire to move on, to expect ...

In the meantime, silence, sadness and melancholy, a white surface and only the bell rings. Even the coachman, tired of the songs, dozed off and, as if, merged with the silent and sinister winter nature. It seems that the silence of the moon and the fields has passed on to him. And only pillars are passing by, which, although they look dull, at the same time say that the path is shortening, the final goal is approaching. Only the more often they flash, the endless it seems winter road.

The poem by A. S. Pushkin is as if divided into two parts, the first describes the landscape, and one feels the inner anxiety, melancholy and despondency of the writer, and in the second part the author talks with Nina, probably her friend. Pushkin says that tomorrow, when he returns home, even a meeting with his beloved will not make that longing disappear, the impression of which will live in his soul for a long time to come. To convey such a sad, dull mood, the author uses artistic and visual means: epithets (“sad”, “boring”, “monotonous”, “wavy” and others).

These words give the poem anxiety and sadness. There are also personifications (“the moon is creeping”, “pouring a sad light”), these expressions give a touch of mystery. When you finish reading a poem, it seems as if the quiet ringing of a bell is dying away in the distance ...

And the last detail - the fog that covered the "lunar face" gives the poem even more anxiety and mystery.

A. S. Pushkin loved, understood and subtly felt Russian nature. The poet never depicted the landscape separately from the person: the state of his soul is always in harmony with nature.
In the poem "Winter Road" there is a certain hidden meaning. Describing his journey, Alexander Pushkin compares it with his own life, the same, in his opinion, boring, dull and joyless. Only a few events add variety to it, like the coachman's songs, remote and sad, break into the silence of the night. However, these are only short moments that are not able to change life as a whole, to give it sharpness and fullness of sensations.

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Analysis of Yesenin's poem "Powder"

Sergei Yesenin is a famous and beloved Russian poet who sang the beauty of his native land, its nature and endless expanses. The lines of his works are easy to remember and evoke the most vivid feelings. In the poem "Powder", the author very skillfully describes winter time years: trees covered with white robes, a winter road covered with dry and fresh, light snow like a shawl.

Yesenin's early works, which include the poem "Powder", written in 1914, seem to breathe purity and freshness.The poet does not miss the opportunity to capture in rhymed phrases what has been dear to him since childhood.. It was during this period of his work that the author more and more often turns to memories that are in sharp contrast to the unsightly reality. Noisy and fussy Moscow makes Yesenin so tired that, left alone with his thoughts, he tries to remember the smell winter forest and feel the taste of snow on your lips, in order to later convey this in your poems.

Porosha is not only one of the most famous works Yesenin's landscape lyrics, but also reveals the romantic nature of the poet. He compares a lonely pine tree with a rural old woman who tied herself with a white scarf of snow, and the forest itself, enchanted by an invisible person, seems to the author to be a magical dormant kingdom, the peace of which is disturbed only by the ringing of the bell of his team. “The horse is galloping, there is a lot of space. It snows and spreads a shawl, "-these phrases contain extraordinary peace and beauty. At the same time, Yesenin masterfully conveys the dynamics of horseback riding, which gives him visible pleasure. And the road running into the distance sets you in a philosophical mood, forcing you to forget all everyday difficulties and troubles.

Yesenin sincerely, like a child, admires the winter landscape in the forest. He very gently and reverently conveys in his poem a picture of a winter forest. He calls winter invisible, who did a very good job and dressed everything around in a white outfit. She tied a scarf around a pine tree, which made it bend and look like an old woman leaning

on the stick And the road turned into a white ribbon, ringing under the hooves. Everything around is shrouded in white snow and sweetly fell asleep in a lovely dream, finding itself in a beautiful fairy tale.

To make the winter landscape unusual and mysterious, the author uses unusual sounds that break the original silence. Listening to the silence, the poet notices that the crackling of snow under the hooves of horses is so loud that it can be heard very far away, it seems “like gray crows screaming in the meadow.” And the woodpecker, sitting under the “very crown” of the Christmas tree, like an old woman, knocks very loudly, looking for something important.

How nice it is to put on a warm coat, felt boots, a hat, wrap your hands in warm mittens and hit the road through the forest, fields and meadows. Sit in a sleigh drawn by three horses with bells and drive along the rolled road to the songs of the coachman. How beautiful are the spaces native land in winter, how solemn and beautiful everything is.

So the lyrical hero of Yesenin has mercy in the winter in the forest. He calls winter invisible, who tried and dressed up everything in the forest - tied a scarf around a pine tree, which made it look like an old woman, turned the road into a white ribbon, ringing under the hooves. In winter, everything in the forest turned into a fairy tale, or rather, into a fairy tale dream. The hostage of this dream is the whole forest. And snow falls, it covers everything with a white shawl, envelops the whole earth. How joyful and cheerful in the soul at such a time.

The picture is complemented by unusual sounds - at first, it seems to be quiet - this is the first thing the poet writes to us about the forest. However, listening closely, the author notices that the forest is noisy from the sounds. There, in the distance, the sound of hooves and bells is heard, somewhere a woodpecker is hammering, and crows are noisy on the top of a pine tree.

We all drive on the roads, but not everyone notices the things around us that way. The lyrical hero Yesenin is not tired of loneliness on the way, he is not immersed in himself and thoughts. The poet is open to nature, which is probably why she shows him her most beautiful landscapes on the road.

We used to love summer, for warmth and bright sun. However, the author invites us to fall in love with winter. And the way he describes the winter landscape causes an irresistible desire to fall in love with her himself. From his lines, it is as if a quiet forest appears before your eyes, the trees are white from the snow, you just want to ride a sleigh or play snowballs, make a snowman.

Sergei Yesenin retained that unity with nature, which is inherent in a person only in childhood, because of that his lines are so sweet, simple, and the comparisons are so accurate.

Yesenin was able to see in the usual picture of a winter road, so interesting and mysterious things and very naturally and easily convey this in verse. In order to describe the usual winter nature in such a sensual and colorful way, you really need to let this beauty through yourself, feel its charm and pour out the whole depth of charm in verse, choosing wonderful words for each element of the landscape.

The work was carried out by the teacher of the Russian language and literature of the GBOU secondary school No. 1400 Svetkina Olga Anatolyevna.

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Comparative analysis of the poem by S.A. Yesenin "Powder" with the cited poem by A.S. Pushkin "Winter Road".

What brings the poem of S.A. Yesenin "Powder" with the following

poem by A.S. Pushkin's "Winter Road"

Poems by S.A. Yesenin and A.S. Pushkin is brought together primarily by the theme of the road, the image of the road. Yesenin's lyrical hero, just like Pushkin's, contemplates the world in winter, moving in a horse-drawn carriage. Here and there there is a ringing motif. In Yesenin, the ringing comes from under the hooves of the horse, in Pushkin, “the bell is monotonous / Tiringly rattles.” Yesenin's poems are the same as those of

Pushkin, written in one size - a two-syllable trochee. The effect of protracted, melodiousness in both poets is given by numerous pyrrhics. The state of the lyrical heroes is different, but the perception of the road as something complex, calling, mysterious, alluring - as a feeling of life being lived - is typical for these Russian poems.

philosophical lyrics.

1.2.1. What kind of nature appears in the poem, transformed by powder? Nature appears amazing, spiritualized and beautiful in the poem by S.A. Yesenin. This is a living, personified world in which the lyrical hero hears sounds: ringing from under the hooves of a horse, the noise of crows, the knock of a woodpecker. He sees an enchanted forest with a dormant old pine tree and a woodpecker pecking. And the main thing is the space expanding along and upwards: from the sound from under the hooves of the horse, through the woodpecker under the top of the pine tree - and the transition to the endless expanse ahead, because "the road runs off into the distance like a ribbon." And a wonderful picture of the world appears, beckoning the lyrical hero forward, into the endless distance.

1.2.2. Poem by S.A. Yesenin begins and ends with the image of the road. What is the meaning of this image in the poem.

The image of the road is a key one in world literature. By a road, in the literal sense, we mean a geographical path from a particular point A to point B, even if it is a road from home to school. Another "road" - the path of man and mankind - has a figurative meaning, acquires philosophical meaning. So in Yesenin's poem, the specific image of the road into which the lyrical hero rushed, contemplating the wondrous world around, is transformed into the image of the endless road of life, the road that "runs away into the distance." Then we perceive this image as philosophical.

The work was carried out by the teacher of the Russian language and literature of the GBOU secondary school No. 1400 Svetkina Olga Anatolyevna.

The works of A. S. Pushkin are rightfully world-class classics. In the poem "Winter Road" thoughts and feelings are harmoniously intertwined with descriptions of nature.

The poem was written in 1826. It was a difficult time for the poet, which is reflected in this work.

At the very beginning of the work, sad natural phenomena, monotonous winter road, suggestive of sadness and longing. Desert distance, fog, the moon, illuminating with its dim light - a sad picture, consonant with the melancholic mood of the hero. A boring winter road brings melancholy to the poet. At first, the ringing of the bell dispels sadness, but soon begins to tire. The coachman's tunes comfort long road, but his songs evoke melancholy. Everything around is covered with sadness and sadness.

The poet experiences feelings of sadness, fatigue, loneliness. But even when there is darkness and despondency around, there is still hope for a better future. The hero plunges into dreams. In his dreams, he is transferred to his beloved, whom he misses and is looking forward to meeting soon. Memories and thoughts of her comfort and support him during the tiring journey.

This work combines the main themes that A. S. Pushkin usually touches on: nature, love, reflections on life and fate. On an endless road, he imagines his fate - long and sad.

It is a long winter road that leads a person to sad thoughts, makes him think about life.

Pushkin's poem "Winter Road" is distinguished by its melody, poignancy and richness of language.

Analysis of the poem Pushkin's Winter Road

Just starting to read the poem "Winter Road" by Pushkin A.S., it becomes clear that the poet is in a melancholy mood. Reality is drawn to him boring and dull, like "wavy fogs" and "sad clearings" through which the carriage rushes. The dark winter night, the silence, interrupted only by the "monotonous" ringing of the bell and the long song of the coachman, and the eternal companion of roads - milestones - all this induces melancholy and despondency.

But the theme of the poem lies much deeper than just a depiction of boring views of a winter road. The image of the road is all life path man, and "versts striped" symbolically show the same striped human life. After all, the path of life, like road milestones, is divided into black and white stripes. Reading the lines of the poem, we ourselves are transported into the winter night, the sound of a bell is heard, the creak of a carriage in the snow, the sad song of the coachman. The traveler is sad and sad, and the reader also becomes sad. The driver's song expresses the main states of the Russian soul: "reckless revelry", "heartfelt anguish".

Describing his journey, the poet equates it with his own life, the same, in his opinion, now sad. winter nature compared with the inner feelings of a person. Cold and loneliness are guessed in everything, and even a welcoming light in the window of the hut, which always illuminates the way for a lost traveler, does not burn. Huts without fire seem black, but "black" characterizes not only color, but also difficult life periods. Only a few events can add variety to it, like the brave and sad songs of the coachman, which invade the calm of the night. However, these are just short-term moments that cannot change life entirely, add brightness and sharpness of sensations to it.

Analysis of the poem Winter road according to plan

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